{"title":"YT","description":null,"products":[{"product_id":"neuzeit-instruments-drop","title":"Neuzeit Instruments Drop","description":"\u003cdiv class=\"data item content\" id=\"description\" data-role=\"content\" aria-labelledby=\"tab-label-description\" role=\"tabpanel\" aria-hidden=\"false\"\u003e \u003cdiv class=\"product attribute description\"\u003e \u003cdiv class=\"value\"\u003e \u003ch2\u003eNeuzeit Instruments Drop\u003c\/h2\u003e \u003cp\u003eDrop from Neuzeit Instruments is a powerful master MIDI controller designed for live performance, enabling tempo-locked changes to many simultaneous settings for impactful moments on stage. The amount of individual control elements on Drop is expansive, boasting thirty-two detented push-encoders, eight mutes, and 8 faders which can provide two sets of controls on layers A and B. Macro controls enable you to adjust up to eight controls on a single knob, drastically increasing the control potential of Drop. Once you've assigned these controls how you'd like for your live set, Drop gives you twenty banks each with twenty snapshot scenes that can be recalled during performance.\u003c\/p\u003e \u003cp\u003eFor immediate changes, you can Jump directly to a snapshot, or use the Drop mode to schedule your snapshot at the end of a set amount of beats or bars. Drop mode lets you go wild with effects to create risers and transitions without needing thirty-two hands to change settings when it's time for the bass to come back in. Even beyond dance music, the ability to create huge changes to a MIDI-enabled set-up with Drop enables more daring musical gestures in electronic performances, letting you go further with your creative ideas and connect more deeply to your audience.\u003c\/p\u003e \u003cp\u003eMeant to sit at the center of your live workflow, Drop features versatile connectivity to empower nearly any set-up. Two USB-C ports and four sets of TRS MIDI inputs and outputs make it easy to connect a large number of devices, with onboard CV inputs and outputs to control modular or vintage synthesizers. You can also merge an incoming MIDI signal from your primary sequencer or controller with Drop's output, ensuring you always have the controls you need without the need for additional utilities. Along with these over-the-top capabilities, Drop is built to inspire for years to come, with a solid metal chassis and metal shaft encoders that impart a premium feel to every set. Take your live sets to the next level with comprehensive control that moves to your groove with Drop from Neuzeit Instruments.\u003c\/p\u003e \u003ch2\u003eDrop Features\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eMaster MIDI controller designed for live synchronized control\u003c\/li\u003e \u003cli\u003e32 push-encoders with detents, 8 mutes, and 8 faders duplicated between two layers\u003c\/li\u003e \u003cli\u003eMacro mappings enable control of up to 8 MIDI targets with individual curves on one control\u003c\/li\u003e \u003cli\u003eSend CCs, Notes, 14-bit CCs, program\/bank changes, aftertouch, and pitch bend\u003c\/li\u003e \u003cli\u003e20 banks of 20 snapshots store and recall all settings\u003c\/li\u003e \u003cli\u003eJump mode updates to new snapshot immediately or with a smooth fade\u003c\/li\u003e \u003cli\u003eDrop mode schedules snapshot changes in time for perfectly timed transitions\u003c\/li\u003e \u003cli\u003e2x MIDI USB-C ports with device\/host detection\u003c\/li\u003e \u003cli\u003e4x MIDI 3.5mm TRS I\/O, type A or B\u003c\/li\u003e \u003cli\u003e2x CV inputs and outputs for clocks or 0-5V CV\u003c\/li\u003e \u003cli\u003eOnboard MIDI merge combines incoming MIDI with Drop's output\u003c\/li\u003e \u003cli\u003eAbleton clip launcher script and note keyboard mode\u003c\/li\u003e \u003cli\u003eIntuitive mapping on device without external software\u003c\/li\u003e \u003cli\u003eRugged metal chassis and metal shaft encoders built road-ready and made to last\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Neuzeit","offers":[{"title":"Default Title","offer_id":54725864882517,"sku":null,"price":457.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/Neuziet_drop_Noisebug_Front.jpg?v=1787441621"},{"product_id":"nlm-hcl","title":"NLM - hCL [Clone Looper]","description":"\u003ch2 class=\"prod\" data-mce-fragment=\"1\"\u003eLooper Effects Pedal Conversion based on the MXR M303\u003c\/h2\u003e \u003cul class=\"prod-features\" data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003eUp to 6 minutes of recording time\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eStores recorded loops even when the pedal is off\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eUnlimited overdubs\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eSampling rate: 44.1 kHz\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eStorage sample rates up to 88.2 kHz\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eTrue\/Buffered bypass (switchable)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eCV control for : Change the speed of recorded loops to double-speed or half-speed, or reversing them\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eCV control for : Volume control\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eCV control for : REC\/DUB\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eCV control for : PLAY\/STOP\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eCV control for : PLAY LOOP ONCE (and retrigger)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eBig knob functionality: 1x tap for loop speed, 3 sec tap loop forward\/backward and 5 sec + REC for clear loop quietly\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003ePower consumption: 225 mA !\u003c\/li\u003e \u003c\/ul\u003e \u003cp data-mce-fragment=\"1\"\u003eThe h series modules require a h bracket to be mounted in a 1U space\u003c\/p\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":54725865996629,"sku":null,"price":297.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/hCL.jpg?v=1787441624"},{"product_id":"pittsburgh-modular-lifeforms-sv-1","title":"Pittsburgh Modular - Lifeforms SV-1 (NOS)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EdIfAe7t00Y?si=_e3CDgNcLJKutgoy\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ethe heart and soul of modular synthesis\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ethe pittsburgh modular synthesizers lifeforms sv-1 is a complete dual oscillator synthesizer, designed to be the core of your eurorack modular system. building on the sound and legacy of our celebrated waveforms oscillator, the sv-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. in addition to these two high-performance oscillators, we stuffed the sv-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, our legendary analog state-variable filter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ethe lifeforms sv-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. modulation and tools sections fill out the analog sv-1 modulation capabilities with a triangle and square lfo, two sub-octave oscillators chained to the main oscillator, and noise with sample \u0026amp; hold.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eyour sound, your way\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003epre-patched under the hood, patch cables are not necessary to get started. but as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. by breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. all the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. in addition, our exclusive and powerful blade wave on oscillator 1 adds a unique weapon to your sonic arsenal. deep modulation options award you complex control of nearly every function of the sv-1.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ea team player\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ewe've designed the lifeforms sv-1 to be the perfect centerpiece of any eurorack synthesizer regardless of size. in a smaller system, the sv-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the sv-1. the ability to patch and integrate the sv-1 with other existing 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Inspired by the latter’s original SEM, the OB-6 features an all-analog signal path comprised of 6 voices (each with 2 VCOs, 1 sub oscillator), the classic Oberheim 2-pole filter (which can vary from lowpass, highpass, bandpass, and notch), a VCA section, and a 49-key keyboard spanning 4 octaves.\u003c\/p\u003e \u003cp\u003eHowever, the OB-6 isn’t completely analogue, and for good reason. This hybrid beast features a dual digital effects section comprised of classic effects like Reverb, Delay, Flanger, Ring Modulation, and a Phase Shifter. The latter two effects are based on Oberheim’s original designs. Additionally, there is an X-Mod section, sourced from the filter envelope section and VCO2, which opens up the creative space for complex modulations and unorthodox sound design. 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It’s “the best of all Prophet-5s” as Dave puts it because it embodies all three revisions of the legendary synth — Rev1, Rev2, and Rev3 — through the use of genuine Curtis analog VCOs and filters (as in the Rev3) as well as new 2140 low-pass filters designed by Dave Rossum, like the 2040 filters he designed in the original Rev1 and Rev2. A \u003cem\u003eRev\u003c\/em\u003e switch lets you choose between the two filter designs.\u003c\/p\u003e \u003cp\u003eThe result is as pure a renewal of an analog classic as you could wish for, with the authentic, muscular sound of the original and the roadworthiness of a state-of-the-art modern instrument.\u003c\/p\u003e \u003ch3\u003eVintage Sound, Vintage Knob\u003c\/h3\u003e \u003cp\u003eIn addition to sourcing genuine Prophet-5 hardware components, we did extensive research into exactly what made the original sound the way it did — warm, organic, and alive. We found that much of this desirable character was due to slight fluctuations and differences in the response times and frequencies of the individual VCOs, filters, envelopes, and amplifiers from voice to voice.\u003c\/p\u003e \u003cp\u003eTo give the same mojo to the new Prophet-5, we created the \u003cem\u003eVintage\u003c\/em\u003e knob. Use it to dial in as much old-school randomness as you’d like. Go from a very stable “4” — as in \u003cem\u003eProphet-5 Rev4\u003c\/em\u003e, which is how we refer to the new version in house — all the way to “1,” as in \u003cem\u003eProphet-5 Rev1\u003c\/em\u003e, the rarest and most temperamental of all Prophet-5s.\u003c\/p\u003e \u003ch3\u003ePoly Mod and Enhanced Unison\u003c\/h3\u003e \u003cp\u003eIn addition to the unmistakable tone of its oscillators and filters, much of the classic sound of Prophet-5 was the result of Poly Mod, which is faithfully present here as well. True to the original, modulation sources are Filter Envelope and Oscillator B. Destinations include Oscillator A frequency, Oscillator A pulse width, and low-pass filter. The range of sounds possible defy its simplicity. Another welcome reprise is Unison mode, which now features configurable voice count (1-5 voices) with variable detuning, and chord memory. And now Glide works both in and out of Unison.\u003c\/p\u003e \u003ch3\u003eVelocity and Aftertouch\u003c\/h3\u003e \u003cp\u003eThough our mission was to make the new Prophet-5 as accurate, authoritative, and true to the original as possible, we couldn’t resist adding a couple of modern enhancements to increase expressiveness: velocity sensitivity and aftertouch. These enable the new Prophet-5 to perform in ways the original never could by putting filter sweeps, LFO mod, and volume changes at your fingertips.\u003c\/p\u003e \u003ch3\u003eEffortless to Program\u003c\/h3\u003e \u003cp\u003eThe purity of the new Prophet’s sound is matched only by its simplicity to program. The knob-per-function front panel gives you instant gratification and immediate access to all sound-shaping controls. Toggling off the Preset button enables live panel mode, where the Prophet-5 switches to the current settings of its knobs and switches. What you see is exactly what you hear. Included are 200 permanent factory programs and 200 rewritable user programs, including the original 40-program sound set from 1978 that found its way onto countless recordings and film soundtracks back in the day and beyond.\u003c\/p\u003e \u003ch3\u003eThe Whole Package\u003c\/h3\u003e \u003cp\u003eAll of this punchy, powerful, analog goodness is housed in a full, five-octave, semi-weighted Fatar keyboard with USB, MIDI, Gate and CV ins\/outs, and a premium-quality, steel and hand-oiled, sustainable black walnut heartwood body that make it as satisfying to behold as it is to hear and play.\u003c\/p\u003e \u003cp\u003eThe new Prophet-5 — history never looked or sounded better.\u003c\/p\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":54725866094933,"sku":null,"price":1648.22,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/P5Sale.jpg?v=1787441627"},{"product_id":"sequential-prophet-10-module-copy","title":"Sequential - Prophet 10 Module","description":"\u003ch3 data-mce-fragment=\"1\"\u003eA Synth Legend On Your Desktop\u003c\/h3\u003e \u003cp data-mce-fragment=\"1\"\u003eThe Prophet-10 module puts ten voices of Sequential’s legendary analog poly synth on your desktop. Like the full keyboard version, it’s “the best of all Prophet-5s” because it embodies all three Prophet-5 revisions — Rev1, Rev2, and Rev3 — through the use of genuine Curtis analog VCOs and filters (as in the Rev3) as well as new 2140 low-pass filters designed by Dave Rossum, like the 2040 filters he designed in the original Rev1 and Rev2. A \u003cem data-mce-fragment=\"1\"\u003eRev\u003c\/em\u003e switch lets you choose between the two filter designs. It also adjusts the Filter Envelope’s shape and response to match the original Prophet Rev 1\/2 or Rev 3 respectively.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eThe result is as pure a renewal of an analog classic as you could wish for, with the authentic, muscular sound of the original and the roadworthiness of a state-of-the-art modern instrument.\u003c\/p\u003e \u003ch3 data-mce-fragment=\"1\"\u003eVintage Sound, Vintage Knob\u003c\/h3\u003e \u003cp data-mce-fragment=\"1\"\u003eIn addition to sourcing genuine Prophet-5 hardware components, we did extensive research into exactly what made the original sound the way it did — warm, organic, and alive. We found that much of this desirable character was due to slight fluctuations and differences in the response times and frequencies of the individual VCOs, filters, envelopes, and amplifiers from voice to voice.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eTo give the same mojo to the new Prophet-5\/Prophet-10, we created the \u003cem data-mce-fragment=\"1\"\u003eVintage\u003c\/em\u003e knob. Use it to dial in as much old-school randomness as you’d like. Go from a very stable “4” — as in \u003cem data-mce-fragment=\"1\"\u003eProphet-5 Rev4\u003c\/em\u003e, which is how we refer to the new version in house — all the way to “1,” as in \u003cem data-mce-fragment=\"1\"\u003eProphet-5 Rev1\u003c\/em\u003e, the rarest and most temperamental of all Prophet-5s.\u003c\/p\u003e \u003ch3 data-mce-fragment=\"1\"\u003ePoly Mod and Enhanced Unison\u003c\/h3\u003e \u003cp data-mce-fragment=\"1\"\u003eIn addition to the unmistakable tone of its oscillators and filters, much of the classic sound of Prophet-5 was the result of Poly Mod, which is faithfully present here as well. True to the original, modulation sources are Filter Envelope and Oscillator B. Destinations include Oscillator A frequency, Oscillator A pulse width, and low-pass filter. The range of sounds possible defy its simplicity. Another welcome reprise is Unison mode, which now features configurable voice count (1-10 voices) with variable detuning, and chord memory. And now Glide works both in and out of Unison.\u003c\/p\u003e \u003ch3 data-mce-fragment=\"1\"\u003eVelocity and Aftertouch\u003c\/h3\u003e \u003cp data-mce-fragment=\"1\"\u003eThough our mission was to make the new Prophet-5\/Prophet-10 as accurate, authoritative, and true to the original as possible, we couldn’t resist adding a couple of modern enhancements to increase expressiveness: velocity sensitivity and aftertouch. These enable the new Prophet-5\/Prophet-10 to perform in ways the original never could by putting filter sweeps, LFO mod, and volume changes at your fingertips.\u003c\/p\u003e \u003ch3 data-mce-fragment=\"1\"\u003eBi-timbral for Layers and Splits\u003c\/h3\u003e \u003cp data-mce-fragment=\"1\"\u003eThe Prophet-10 bi-timbral, meaning that it can play two different programs simultaneously. In this mode, each program is allocated five voices. Use this capability to layer two programs for thicker, more powerful pads or chord stabs. Alternatively, split the keyboard into two independent performance zones and play synth bass in the lower range and leads or chords in the upper range.\u003c\/p\u003e \u003ch3 data-mce-fragment=\"1\"\u003eEffortless to Program\u003c\/h3\u003e \u003cp data-mce-fragment=\"1\"\u003eThe purity of the new Prophet’s sound is matched only by its simplicity to program. The knob-per-function front panel gives you instant gratification and immediate access to all sound-shaping controls. Toggling off the Preset button enables live panel mode, where the Prophet-10 switches to the current settings of its knobs and switches. What you see is exactly what you hear. Included are 200 permanent factory programs and 200 rewritable user programs, including the original 40-program sound set from 1978 that found its way onto countless recordings and film soundtracks back in the day and beyond.\u003c\/p\u003e \u003ch3 data-mce-fragment=\"1\"\u003eThe Whole Package\u003c\/h3\u003e \u003cp data-mce-fragment=\"1\"\u003eAll of this punchy, powerful, analog goodness is housed in a compact steel case with USB, MIDI, Gate and CV ins\/outs, and premium-quality, hand-oiled, sustainable black walnut heartwood trim.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eThe new Prophet-10 desktop module — history never sounded better.\u003c\/p\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":54725866160469,"sku":null,"price":1556.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/P10ORer.jpg?v=1787441629"},{"product_id":"groove-synthesis-3rd-wave-polyphonic-wavetable-synthesizer-desktop","title":"Groove Synthesis - 3rd Wave Polyphonic Wavetable Synthesizer (Desktop)","description":"\u003ch2\u003eGROOVE SYNTHESIS 3RD WAVE\u003c\/h2\u003e \u003cp\u003eNow available in a desktop format, the 3rd Wave by Groove Synthesis offers 24 voices of polyphony, 4-part multitimbrality, and premium wavetable sound in a keyboard-less package. 3rd Wave continues in the tradition of hybrid wavetable synthesis design, making use of digital oscillators and analog filtering for a \"best of both worlds\" approach to creating sounds. But with modern features like MPE support, an onboard wavetable editor, and incredible modulation routing, 3rd Wave represents the next step in wavetable synthesis.\u003c\/p\u003e \u003cp\u003e3rd Wave offers three oscillators across each of its 24 voices, and an individual oscillator may run in wavetable or modeled analog mode. 64 wavetable slots are available, half of which are classics from legacy PPG instruments, while the remainder can be used for custom 8-bit tables. Each wavetable itself can contain up to 64 different wavetables, ensuring that 3rd Wave excels at continuously morphing timbres. On the other hand, the modeled waveforms offer convincing emulations of classic analog waves: sine, saw, pulse, triangle, supersaw, white noise, and pink noise. In either mode, you can apply sync relationships and FM for even more sonic variety.\u003c\/p\u003e \u003cp\u003eWhat's better than one filter? Two, of course! 3rd Wave contains an analog, 2140-based lowpass filter, an evolution of Dave Rossum's 2040 filter chip that was found in classic instruments like the Prophet-5. To complement this analog filter, a digital state-variable design is also on hand for other types of filters and responses, including morphable lowpass-notch-highpass and optional bandpass modes.\u003c\/p\u003e \u003cp\u003e3rd Wave contains no less than four extended ADSR envelopes and four LFOs, which may be used to impart a number of modulations upon your patches. Two envelopes are pre-routed to the filters and VCA, but otherwise, the world is your oyster. The LFOs, in particular, provide a number of waveforms and may be synced with clock sources for tempo-locked movement.\u003c\/p\u003e \u003cp\u003eUsing sequencers with multi-timbral synthesizers can sometimes be a headache, but 3rd Wave was designed with this in mind. The onboard sequencer can not only manage note data across its four parts, but it's possible to record real-time parameter changes as well. Add in the fact that each layer features an independent modulation matrix and arpeggiator, and you'll have no shortage of ways to build dense, full-sounding compositions right from 3rd Wave itself.\u003c\/p\u003e \u003cp\u003eBest of all, you'll never get tired of 3rd Wave's sounds thanks to its built-in Wavemaker Tool. Using the external audio input, you can sample directly into 3rd Wave and create wavetables in an instant. Plus, if you've curated a library of samples or Serum wavetables, these can be easily incorporated via a USB flash drive. But as of OS 1.8, 3rd Wave goes even further with the ability to layer in samples with purely synthesized textures. Combine synthesis with real-world and acoustic sounds for gorgeous hybrid timbres.\u003c\/p\u003e \u003cp\u003eIf you're hoping to stick a desktop-sized wavetable synthesizer in your studio, 3rd Wave is more than capable of bringing new sounds and inspiration to your projects.\u003c\/p\u003e \u003ch2\u003e3RD WAVE FEATURES\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eHybrid wavetable synthesizer\u003c\/li\u003e \u003cli\u003eDesktop format\u003c\/li\u003e \u003cli\u003e24 voices, 4-part multitimbral\u003c\/li\u003e \u003cli\u003e3 oscillators per voice\u003c\/li\u003e \u003cli\u003e64 user wavetables\u003c\/li\u003e \u003cli\u003e32 wavetables from classic PPG synths built-in\u003c\/li\u003e \u003cli\u003e7 modeled analog waveforms: sine, saw, triangle, pulse, white noise, pink noise\u003c\/li\u003e \u003cli\u003eSync and Linear FM per oscillator\u003c\/li\u003e \u003cli\u003e6-stage wave envelope per oscillator\u003c\/li\u003e \u003cli\u003eSampling engine added in OS 1.8\u003c\/li\u003e \u003cli\u003eDirectly capture up to 30 seconds of audio via external inputs, or import samples over USB\u003c\/li\u003e \u003cli\u003eUnison and chord modes\u003c\/li\u003e \u003cli\u003eSSI2140 resonant lowpass filter (24dB\/octave)\u003c\/li\u003e \u003cli\u003eSaturation\/drive and optional resonance compensation\u003c\/li\u003e \u003cli\u003eDigital SEM-style state-variable filter\u003c\/li\u003e \u003cli\u003eMorph between lowpass notch and highpass\u003c\/li\u003e \u003cli\u003eOptional bandpass mode\u003c\/li\u003e \u003cli\u003e4 extended ADSR envelope generators\u003c\/li\u003e \u003cli\u003e4 LFOs with delay, note reset, and BPM sync\u003c\/li\u003e \u003cli\u003eLFO waveshapes: triangle, sawtooth, reverse sawtooth, square, pulse 1, pulse 2, pulse 3, and random\/S\u0026amp;H\u003c\/li\u003e \u003cli\u003eDual effects engine with delays, reverb, rotary effects, and more\u003c\/li\u003e \u003cli\u003eOnboard wavetable editor\u003c\/li\u003e \u003cli\u003eSample external audio and instantly create wavetables\u003c\/li\u003e \u003cli\u003eImport samples or Serum wavetables via USB\u003c\/li\u003e \u003cli\u003e4-part sequencer\u003c\/li\u003e \u003cli\u003e24 sequences per preset, 32 measures per sequence\u003c\/li\u003e \u003cli\u003eParameter recording available in all sequences\u003c\/li\u003e \u003cli\u003ePer part arpeggiators\u003c\/li\u003e \u003cli\u003e16 slot mod matrix per part: 27 sources and 14 destinations\u003c\/li\u003e \u003cli\u003e500 factory programs\u003c\/li\u003e \u003cli\u003e4 pairs of stereo audio outputs\u003c\/li\u003e \u003cli\u003eMIDI Input, Output, and Thru\u003c\/li\u003e \u003cli\u003eUSB MIDI\u003c\/li\u003e \u003cli\u003eSustain, Volume, and Expression inputs\u003c\/li\u003e \u003c\/ul\u003e","brand":"Groove Synthesis","offers":[{"title":"Default Title","offer_id":54725866193237,"sku":null,"price":1601.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/3rdmodule.jpg?v=1787441629"},{"product_id":"mehr-music-machines-deuxd","title":"Mehr Music Machines - Deuxd Stereo X-Mod VCF","description":"\u003cp\u003eDeuxd is a dual\/stereo filter for Eurorack modular synthesizers. Two fully-featured VCFs in one 12HP package. WOW! But this is no ordinary stereo VCF; Deuxd has some very interesting internal routings that open up a wide range of possibilities.\u003c\/p\u003e \u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/yuMNrc67KvE?si=6EfunEpcUJgaOKMp\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e \u003cp\u003eThe Filters: Expanding on the beautifully gritty character of the Poodleface filter section, Deuxd is a dual OTA-style filter with selectable Highpass and Lowpass responses. Each filter has a dedicated cutoff, resonance, and LP\/HP control. But the fun really starts when using the BIG knob. The big knob, encircled in a red LED backlit panel, acts as the global cutoff for both filters. The big knob is the primary control, which means the outer frequency cutoff knobs act as an offset to the primary knob's position. This is the knob that will have the most fingerprints on it, I guarantee it! If you want to use the two filters totally independently and not touch the beautiful big knob, just point it straight up at noon. The noon position will then give you full sweeping control via the outer frequency knobs. One last thing about the primary cutoff knob: the switch labeled OPPOSE\/SYNC is directly associated with the big knob. When Sync is selected, the cutoff of both filters will be parallel to the motion of the big knob (and voltage control signals patched into \"cutoff\"). When OPPOSE is selected, the right side filter will move opposite to the left. This mode sounds sooooooo gooooooood in stereo. \u003c\/p\u003e \u003cp\u003eThe filters can be stacked, split, and summed. The SUM output takes the output of both filters and sums to mono. The dirty\/filthy switch is associated with the SUM output. Select between two separate diode clipping paths for different flavors of harmonic saturation. \u003c\/p\u003e \u003cp\u003eThe two sides are totally independent; however, there are a few internal connections that keep things interesting. The input of filter 1 (left side) has a normalled connection to the input of filter 2 (right side). This lets you process 1 signal via two different filters. Great for mono to stereo applications, or when using the sum output, as you can produce some nice twin-peak resonances. If you want to generate a variable-width bandpass filter, you will need to patch the output of the left side to the input of the right side. Make sure one side is set to hipass and the other is set to lowpass. \u003c\/p\u003e \u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/Deuxd_Block_Diagram_copy.jpg?v=1756319403\"\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe twisted modulation options. Each side has its frequency cutoff input jack that correlates directly with the frequency knob of its respective side. There is also an attenuated FM input jack that controls the same frequency cutoff. The twist is, each side's FM input has a normalled connection to the opposite side's audio input. So the audio input of side 2 is connected to the FM attenuator of side 1. This connection is broken when an external source is patched into the FM jack. Yeah, that's right.. Audio rate FM madness. Oh, the textures you will create. Once you get into this sound, you'll be using it all the time. Finally, the X-mod knob will simultaneously send the output of filter 1 to the cutoff of filter 2, and the output of filter 2 to the cutoff of filter 1. This will blow your mind.\u003c\/p\u003e","brand":"Mehr Music Machines","offers":[{"title":"Default Title","offer_id":54725866258773,"sku":null,"price":132.37,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/DeuxdBlkbkgnd.webp?v=1787441630"},{"product_id":"pittsburgh-modular-move-208-nos","title":"Pittsburgh Modular - Move [208] Red (NOS)","description":"\u003cp\u003eNew Old Stock - Red finish\u003c\/p\u003e \u003cp\u003ethe pittsburgh modular move 208 is a fully featured, roadworthy eurorack case and power supply designed to safely house and power up to 208hp of eurorack modules. the move 208 case includes a removable lid. when attached, the lid fits over the patch cables allowing a fully patched modular to hit the road. a complete set of nickel plated steel corners is also included. the corners ship unattached with screws allowing the owner to easily install the corners if desired.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cstrong\u003especifications:\u003c\/strong\u003e\u003c\/b\u003e\u003cbr\u003ewidth: 528.5mm (104hp)\u003cbr\u003enumber of rows: 2\u003cbr\u003eavailable depth for modules: 70mm\u003cbr\u003eavailable depth for modules (above power supply): 62mm\u003cbr\u003e20 sliding square nuts per rail supports up to 40 modules\u003cbr\u003e80 (4-40 size) panel screws included\u003cbr\u003eguitar amp style strap handle\u003cbr\u003eside mounted secure twist latch\u003cbr\u003eremovable lid\u003cbr\u003e8 nickel plated steel corners and necessary screws included\u003cbr\u003edurable textured coating\u003cbr\u003eside mounted on\/off switch\u003cbr\u003epowered bus board supplies +12v \/ -12v \/ +5v\u003cbr\u003edual custom powered bus boards with 32 keyed headers\u003cbr\u003eeurorack bus compatible bus boards\u003cbr\u003eside mounted 2.1mm universal power adapter jack\u003cbr\u003e12vac 5.0a ac power adapter\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cstrong\u003epower supply:\u003c\/strong\u003e\u003c\/b\u003e\u003cbr\u003etotal power output: +12v @ 2a, -12v @ 2a, and +5v @600ma\u003cbr\u003edual bus boards deliver power for up to 32 modules using standard 16 pin, keyed power headers.\u003cbr\u003ethe power supplies use a single external 12vac 5.0a ac barrel jack power adapter.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cstrong\u003edimensions:\u003c\/strong\u003e\u003c\/b\u003e\u003cbr\u003eexternal width including latch and hinges: 597mm\u003cbr\u003eexternal depth including handle: 296mm\u003cbr\u003eheight (including feet \u0026amp; lid) 178mm\u003cbr\u003eheight (including feet) 103mm\u003cbr\u003eminimum depth available for modules: 61mm\u003cbr\u003emaximum depth available for modules: 74mm\u003c\/p\u003e","brand":"Noisebug","offers":[{"title":"Default Title","offer_id":54725866291541,"sku":null,"price":274.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/move208red.jpg?v=1787441631"},{"product_id":"pittsburgh-modular-cell-90-nos","title":"Pittsburgh Modular - Cell 90 [NOS]","description":"\u003cp\u003eNew Old Stock\u003c\/p\u003e \u003cp\u003ethe pittsburgh modular cell 90 is an expandable, desktop eurorack case and power supply. a custom designed, heavy duty steel frame matched with replaceable pennsylvania cherry hardwood sides. the desktop cases are available in single and double row configurations. frames and wood sides are available separately to allow for easy expandability and customizing.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cstrong\u003ecell 90 specs:\u003c\/strong\u003e\u003c\/b\u003e\u003cbr\u003ewidth: 456mm (90hp)\u003cbr\u003eavailable depth for modules: 52mm\u003cbr\u003eavailable depth for modules (above power supply): 36mm\u003cbr\u003e18 sliding nuts per rail supports up to 18 modules\u003cbr\u003e40 (4-40 size) panel screws included\u003cbr\u003epower: 850ma linear supply\u003cbr\u003e12vac 2.0a ac power adapter\u003cbr\u003ecustom flexible power rail with 17 power headers\u003cbr\u003eheavy 16 gauge steel\u003cbr\u003ehand crafted pennsylvania cherry hardwood sides\u003cbr\u003erear mounted on\/off switch\u003cbr\u003erear mounted 2.1mm universal power adapter jack\u003cbr\u003e+5v adapter compatible\u003cbr\u003eeurorack bus compatible\u003c\/p\u003e","brand":"Noisebug","offers":[{"title":"Default Title","offer_id":54725866324309,"sku":null,"price":132.37,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/cell90.jpg?v=1787441632"},{"product_id":"pittsburgh-modular-move-104-nos","title":"Pittsburgh Modular - Move 104 [NOS]","description":"\u003cp\u003eNew Old Stock\u003c\/p\u003e \u003cp\u003ethe pittsburgh modular move 104 is a beautiful, fully featured, roadworthy eurorack case and power supply designed to safely house and power up to 104hp of eurorack modules.\u003cbr\u003e\u003cbr\u003ehandbuilt in pittsburgh using select ukrainian birch ply, the move 104 case celebrates the classic pairing of synthesizers with beautiful hardwood. each case has been constructed and stained by our craftsmen to emphasize its unique beauty.\u003cbr\u003e\u003cbr\u003ethe strength of the ukrainian birch ply allows the move 104 to stand up the the most rigorous road use. designers of skateboards, hockey sticks, furniture, and countless other products demanding a strong yet lightweight wood have chosen birch ply for years because of its unique combination of strength, weight, and durability.\u003cbr\u003e\u003cbr\u003eeach case includes a removable lid. when attached, the lid fits over the patch cables allowing a fully patched modular to hit the road.\u003cbr\u003e\u003cbr\u003ea complete set of nickel plated steel corners is also included. the corners ship unattached with screws allowing the owner to easily install the corners if desired.\u003cbr\u003e\u003cbr\u003emove 104 specs:\u003cbr\u003ewidth: 528.5mm (104hp)\u003cbr\u003eavailable depth for modules: 70mm\u003cbr\u003eavailable depth for modules (above power supply): 62mm\u003cbr\u003e20 sliding square nuts per rail supports up to 20 modules\u003cbr\u003e40 (4-40 size) panel screws included\u003cbr\u003eguitar amp style strap handle\u003cbr\u003esecure twist latch\u003cbr\u003eremovable lid\u003cbr\u003e8 nickel plated steel corners and necessary screws included\u003cbr\u003eside mounted on\/off switch\u003cbr\u003epowered bus board supplies +12v \/ -12v \/ +5v\u003cbr\u003ecustom powered bus board with 16 keyed headers\u003cbr\u003eeurorack bus compatible bus board\u003cbr\u003eside mounted 2.1mm universal power adapter jack\u003cbr\u003e12vac 2.0a ac power adapter\u003cbr\u003e\u003cbr\u003epower supply\u003cbr\u003ethe included pittsburgh modular power supply provides +12v @ 850ma, -12v @ 850ma, and +5v @300ma of power. a combined power supply and bus board delivers power for up to 16 modules using standard 16 pin, keyed power headers. the power supply uses an external 12vac 2.0a ac power adapter.\u003c\/p\u003e","brand":"Noisebug","offers":[{"title":"Black","offer_id":54725866357077,"sku":null,"price":205.57,"currency_code":"GBP","in_stock":true},{"title":"Red","offer_id":54725866389845,"sku":null,"price":217.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/move104black.jpg?v=1787441633"},{"product_id":"the-harvestman-argos-bleak","title":"The Harvestman - Argos Bleak","description":"\u003cp\u003e\u003cspan\u003eargos bleak is a control voltage processor and oscillator driver with two inputs and four (count 'em, four) outputs. its per-channel octave, detune, vibrato, and slew controls facilitate full performance control of four oscillators at once, with minimum patch cords required. it excels at bringing multiple oscillators from different manufacturers into full cooperation, with the flexibility to quickly switch between multiple performance setups. processed control voltages are quantized to the scale of your choice, with the slew limiting able to be routed pre- or post-quantizer. a common vibrato control distributes the internal modulation signal to any of the outputs. a set of performance gate inputs allow instant modification of the fundamental channel settings (input selection\/mixing, slew enable, quantizer track-and-hold), and a quantizer trigger output automatically fires when channel 1 quantizes a new note. each channel may receive its data from either (or a sum or difference) of the cv inputs, so you may run two completely independent cv processing streams, or combine the input data and switch it around using the external gate input.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eeach output may be offset (positive or negative) by up to 12 semitones. these semitone shifts occur pre-quantizer, effectively enabling chord construction from a single monophonic cv input. 2 banks of 16 chord presets may be stored, and instantly switched or sequenced by an external cv signal. a bonus cv mode rotates the output semitone shift data among all 4 outputs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eargos bleak satisfies many common performance situations that require a series of oscillators to respond to tuned control voltages. cv sequences are easily and precisely transposed. fm carrier\/modulator ratios are quickly and effortlessly defined, and changed with the dedicated octave knobs and chord selection.. dedicate an output to managing oscillator sync frequency, apply vibrato, and your modular system is suddenly playing pinch harmonics. the calibration routine is simple, and your attached oscillators can be easily calibrated to each other by ear using the channel controls.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cstrong\u003especifications:\u003c\/strong\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e2 1v\/oct calibrated cv inputs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 oscillator cv outputs (0-8v)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ediatonic scale quantizer from stillson hammer mkii. all scale modes and some smaller chords are available, as well as 12-tone and unquantized options.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eoctave, detune, slew, and vibrato controls per channel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003emaster vibrato send\/frequency controls with cv input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eper-channel semitone offset (pre-quantizer), storable as chord preset\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2 banks of 16 chord presets each. chords may be manually changed or switched by cv input (0-5v).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eeach bank of chords features its own storable global settings (scale, performance input controls, vibrato phases)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 performance gate inputs for remotely toggling input selection, slew, and quantizer units.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003equantizer trigger output\u003c\/span\u003e\u003c\/p\u003e","brand":"Noisebug","offers":[{"title":"Default Title","offer_id":54725866422613,"sku":null,"price":212.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/argos.png?v=1787441634"},{"product_id":"pittsburgh-modular-time-runner","title":"Pittsburgh Modular - Time Runner","description":"\u003cp\u003e\u003cb\u003e\u003cstrong\u003eLogical Pattern Generator\u003c\/strong\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp\u003eThe TimeRunner is an analog clock divider and programmable pattern generator. It utilizes a voltage controlled dual logic core to create a wide range of programmable gate patterns. The TimeRunner starts with a single clock source and divides it down into four individual channels. The output of each channel is based on a complex relationship between the clock source, a clock divider, and a chain of switchable and voltage controlled logic options. The result is a unique and extremely musical patten generator.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cstrong\u003eA Reimagining of the Timetable\u003c\/strong\u003e\u003c\/b\u003e\u003cbr\u003eThe TimeRunner was not designed to be a Timetable 2. The Timetable module was built around the concept of controllable logic and the TimeRunner expands on that idea in a whole new way. The TimeRunner builds on the legacy of the Timetable by offering more complex logic routing, better control options, and more musical results.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cstrong\u003eHow It Works\u003c\/strong\u003e\u003c\/b\u003e\u003cbr\u003eThe signal path of the TimeRunner starts with an internal or external clock source. The clock is split using a divider into 4 cascading channels creating even \/2, \/4, \/8, \/16 divisions of the clock source. The output of each channel division is then split and sent to the first logic input of both an AND and XOR logic chip. The second input of the AND and XOR logic chips is referred to as the Seed. The first channel Seed is always high unless the Seed Input Jack is used. The Seed input for the remaining channels is derived from either the AND or XOR logic output of the previous channel using the Channel Seed Switch. The output of each channel is selectable between the AND and XOR logic output using the Logic Selector Switch or Logic In gate input.\u003c\/p\u003e \u003cp\u003eLogic Selector Switch and Logic In Gate Input are at the end of the channel signal patch. Their settings affect only the output of their specific channel.\u003c\/p\u003e \u003cp\u003eThe Channel Seed Switch is at the beginning of the channel signal patch. Its setting affects the output of its specific channel and also cascades to affect the channels below. For example flipping the Channel Seed Switch on channel 2 will affect the pattern of channel 2, channel 3, and channel 4. Flipping the Channel Seed Switch on channel 3 will affect the pattern of channel 3 and channel 4. Because channel 4 is the last channel, flipping the Channel Seed Switch on channel 4 will affect the pattern of channel 4. The seed input of channel 1 works in the same way. If the Channel 1 Seed Input Jack is used, the result will affect all 4 channels.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cstrong\u003eA Simple Example \u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe most basic setup uses all the Channel Seed and Logic Selector switches set in the AND position. This produces a basic clock divider output. Channel 1 output divides the clock by 2. Channel 2 output divides the clock by 4. Channel 3 output divides the clock by 8. Channel 4 output divides the clock by 16.\u003c\/p\u003e \u003cp\u003eClocking this basic setup using an audio rate oscillator turns the TimeRunner into a 4 octave output sub-octave generator. \u003c\/p\u003e \u003cp\u003eFlipping the Channel 1 Logic Selector switch flips the output of Channel 1 to odd beats.\u003c\/p\u003e","brand":"Noisebug","offers":[{"title":"Default Title","offer_id":54725866488149,"sku":null,"price":137.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/PittTimeRunner.jpg?v=1787441636"},{"product_id":"steady-state-fate-entity-ultra-perc","title":"Steady State Fate - Entity Ultra-Perc","description":"\u003ch1\u003eSteady State Fate (SSF) - Entity Ultra-Perc\u003c\/h1\u003e \u003cp\u003eULTRA-PERC\u003c\/p\u003e \u003cp\u003eThe latest addition to the Entity series provides an advanced feature set that caters to synthesizing a very wide range of percussive sounds. This set of parameters essentially provides use as a specialized, full synthesizer voice inherent in the architecture. Notable new features include a twin resonant core signal generator with detune and spectral isolation. Updated body and noise dynamics controls. Three dedicated VC envelopes for body FM and AM, and noise AM. Updated noise generator with LP\/HP VCF and BODY filter modes. And a dedicated noise trigger input.\u003c\/p\u003e \u003cp\u003eThe Ultra-Perc is expanded as a signal processor by the ability to combine external signals with the output by routing them through the very circuitry that is utilized to generate the percussive elements. The external input can either be used to create more advanced percussion or can turn the Ultra-Perc into a twin peak resonant VCF for processing sequences and longer duration signals.\u003c\/p\u003e \u003cp\u003eFEATURES:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eDual resonant core topology with multi-mode filtering and detune\u003c\/li\u003e \u003cli\u003eIndependent body and noise envelopes with dedicated dynamics controls\u003c\/li\u003e \u003cli\u003eHarmonic enhancement via integrated wave-folder\u003c\/li\u003e \u003cli\u003eWide range FM decay envelope and bipolar FM attenuator\u003c\/li\u003e \u003cli\u003eVC body trigger delay\u003c\/li\u003e \u003cli\u003eMulti-mode noise VCF\u003c\/li\u003e \u003cli\u003eNoise trigger input for independent noise triggering\u003c\/li\u003e \u003cli\u003eDirect noise VCA CV input\u003c\/li\u003e \u003cli\u003eExternal input for mixing and processing external signals\u003c\/li\u003e \u003cli\u003eBody amplitude derived duck output\u003c\/li\u003e \u003cli\u003eExtensive range of voltage controllable parameters\u003c\/li\u003e \u003cli\u003e100% Analog\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eSpecs\u003c\/p\u003e \u003cp\u003eWidth: 14hp\u003c\/p\u003e \u003cp\u003eDepth: 23mm\u003c\/p\u003e \u003cp\u003eCurrent: 12V +\/-125mA, 5V 0mA\u003c\/p\u003e","brand":"Steady State Fate","offers":[{"title":"Default Title","offer_id":54725866619221,"sku":null,"price":173.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/EntityUltraPerc.jpg?v=1787441638"},{"product_id":"groove-synthesis-3rd-wave-m8-desktop","title":"Groove Synthesis - 3rd Wave 8M Desktop","description":"\u003cdiv class=\"mx-auto flex md:flex-row my-7 font-futura-bold text-2xl text-vkgrey-charcoal uppercase\"\u003e \u003ch2 class=\"w-full\"\u003eProduct Description\u003c\/h2\u003e \u003c\/div\u003e \u003cdiv class=\"w-full\"\u003e \u003cdiv class=\"\"\u003e \u003cp\u003eBuilding on the success of the flagship 24-voice 3rd Wave models 24K and 24M, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGroove Synthesis 3rd Wave 8M\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efeatures 8 voices of polyphony and bi-timbral operation in a streamlined desktop format.The 8M delivers the same premium sound quality and cutting-edge synthesis capabilities that have made Groove Synthesis a favorite among producers, composers, and performers worldwide.\u003c\/p\u003e \u003cp\u003eThe 3rd Wave 8M maintains complete patch compatibility with the 24-voice 3rd Wave models, allowing users to seamlessly integrate the 8M into existing setups or upgrade to larger models in the future. The streamlined user interface focuses on performance-oriented controls while utilizing a larger, more intuitive display for deep sound design capabilities.\u003c\/p\u003e \u003ch3 id=\"toc_0\"\u003eCLASSIC LEGACY, MODERN SOUND\u003c\/h3\u003e \u003cp\u003eWhile the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that's a product of its expanded wavetables and warm, organic-sounding analog filters, 4 independent parts, and 24 voices. It boasts not only a punchy, Dave Rossum-designed 2140 analog low-pass filter with variable saturation, but a second, SEM-style state-variable filter (low-pass, high-pass, notch, and band-pass) for additional tone-sculpting. Run both filters in series for harmonically complex textures.\u003c\/p\u003e \u003ch3 id=\"toc_1\"\u003eGROOVE SYNTHESIS 3RD WAVE 8M FEATURES:\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eFull 3rd Wave sound engine with 8 voices and three oscillators per voice\u003c\/li\u003e \u003cli\u003eWavetable synthesis, analog-style synthesis, FM, and sampling\u003c\/li\u003e \u003cli\u003eTwo independent parts for layering and splitting\u003c\/li\u003e \u003cli\u003eSeamless integration with 24-voice 3rd Wave models\u003c\/li\u003e \u003cli\u003eThe same premium analog filters and output circuit design as flagship 24-voice models, 24K and 24M\u003c\/li\u003e \u003cli\u003ePerformance-oriented, expressive control set with larger display\u003c\/li\u003e \u003cli\u003e4 balanced outputs for flexible studio integration\u003c\/li\u003e \u003cli\u003eSmaller footprint ideal for desktop or touring setups\u003c\/li\u003e \u003c\/ul\u003e \u003ctable class=\"additional-attributes w-full\"\u003e \u003ctbody\u003e \u003ctr class=\"border-b border-vkgrey-silver text-vkgrey-charcoal even:bg-vkgrey-whiteSmoke\"\u003e \u003cth scope=\"row\" class=\"col label w-1\/2 py-2.5 pl-2 text-left product-attribute-label font-futura-bold uppercase text-base font-normal\"\u003eCondition\u003c\/th\u003e \u003ctd data-th=\"Condition\" class=\"col data w-1\/2 py-2.5 pl-2 text-left product-attribute-value font-futura-book text-base\"\u003eNew\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"border-b border-vkgrey-silver text-vkgrey-charcoal even:bg-vkgrey-whiteSmoke\"\u003e \u003cth scope=\"row\" class=\"col label w-1\/2 py-2.5 pl-2 text-left product-attribute-label font-futura-bold uppercase text-base font-normal\"\u003eInput Connectors\u003c\/th\u003e \u003ctd data-th=\"Input Connectors\" class=\"col data w-1\/2 py-2.5 pl-2 text-left product-attribute-value font-futura-book text-base\"\u003e1\/4-inch TRS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"border-b border-vkgrey-silver text-vkgrey-charcoal even:bg-vkgrey-whiteSmoke\"\u003e \u003cth scope=\"row\" class=\"col label w-1\/2 py-2.5 pl-2 text-left product-attribute-label font-futura-bold uppercase text-base font-normal\"\u003eOutput Connectors\u003c\/th\u003e \u003ctd data-th=\"Output Connectors\" class=\"col data w-1\/2 py-2.5 pl-2 text-left product-attribute-value font-futura-book text-base\"\u003e1\/4-inch TRS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"border-b border-vkgrey-silver text-vkgrey-charcoal even:bg-vkgrey-whiteSmoke\"\u003e \u003cth scope=\"row\" class=\"col label w-1\/2 py-2.5 pl-2 text-left product-attribute-label font-futura-bold uppercase text-base font-normal\"\u003eMIDI Connections\u003c\/th\u003e \u003ctd data-th=\"MIDI Connections\" class=\"col data w-1\/2 py-2.5 pl-2 text-left product-attribute-value font-futura-book text-base\"\u003eIn, Out, Thru, USB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"border-b border-vkgrey-silver text-vkgrey-charcoal even:bg-vkgrey-whiteSmoke\"\u003e \u003cth scope=\"row\" class=\"col label w-1\/2 py-2.5 pl-2 text-left product-attribute-label font-futura-bold uppercase text-base font-normal\"\u003eAnalog or Digital\u003c\/th\u003e \u003ctd data-th=\"Analog or Digital\" class=\"col data w-1\/2 py-2.5 pl-2 text-left product-attribute-value font-futura-book text-base\"\u003eDigital\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"border-b border-vkgrey-silver text-vkgrey-charcoal even:bg-vkgrey-whiteSmoke\"\u003e \u003cth scope=\"row\" class=\"col label w-1\/2 py-2.5 pl-2 text-left product-attribute-label font-futura-bold uppercase text-base font-normal\"\u003eSynthesizer Format\u003c\/th\u003e \u003ctd data-th=\"Synthesizer Format\" class=\"col data w-1\/2 py-2.5 pl-2 text-left product-attribute-value font-futura-book text-base\"\u003eDesktop\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"border-b border-vkgrey-silver text-vkgrey-charcoal even:bg-vkgrey-whiteSmoke\"\u003e \u003cth scope=\"row\" class=\"col label w-1\/2 py-2.5 pl-2 text-left product-attribute-label font-futura-bold uppercase text-base font-normal\"\u003ePolyphony\u003c\/th\u003e \u003ctd data-th=\"Polyphony\" class=\"col data w-1\/2 py-2.5 pl-2 text-left product-attribute-value font-futura-book text-base\"\u003e8 voices\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"border-b border-vkgrey-silver text-vkgrey-charcoal even:bg-vkgrey-whiteSmoke\"\u003e \u003cth scope=\"row\" class=\"col label w-1\/2 py-2.5 pl-2 text-left product-attribute-label font-futura-bold uppercase text-base font-normal\"\u003eOscillators\u003c\/th\u003e \u003ctd data-th=\"Oscillators\" class=\"col data w-1\/2 py-2.5 pl-2 text-left product-attribute-value font-futura-book text-base\"\u003eThree hi-res oscillators per voice\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"border-b border-vkgrey-silver text-vkgrey-charcoal even:bg-vkgrey-whiteSmoke\"\u003e \u003cth scope=\"row\" class=\"col label w-1\/2 py-2.5 pl-2 text-left product-attribute-label font-futura-bold uppercase text-base font-normal\"\u003eSequencer\u003c\/th\u003e \u003ctd data-th=\"Sequencer\" class=\"col data w-1\/2 py-2.5 pl-2 text-left product-attribute-value font-futura-book text-base\"\u003e24 sequences per preset, 2 parts per sequence (up to 32 measures per sequence)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr class=\"border-b border-vkgrey-silver text-vkgrey-charcoal even:bg-vkgrey-whiteSmoke\"\u003e \u003cth scope=\"row\" class=\"col label w-1\/2 py-2.5 pl-2 text-left product-attribute-label font-futura-bold uppercase text-base font-normal\"\u003eWaveforms\u003c\/th\u003e \u003ctd data-th=\"Waveforms\" class=\"col data w-1\/2 py-2.5 pl-2 text-left product-attribute-value font-futura-book text-base\"\u003eSine, saw, triangle, supersaw, pulse, white noise, pink noise\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Groove Synthesis","offers":[{"title":"Default Title","offer_id":54725866651989,"sku":null,"price":915.61,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/groove-synthesis-8M-desktop-synth-product-image-whitebkgnd-6k_front_angled_00005b-scaled.jpg?v=1787441639"},{"product_id":"steady-state-fate-entity-ultra-kick","title":"Steady State Fate - Entity Ultra-Kick","description":"\u003cp\u003e\u003cb\u003e\u003cstrong\u003eSteady State Fate (SSF) - Entity Ultra-Kick\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp\u003eSSF's newest addition to the Entity line offers new concepts and features for kick and bass synthesis.\u003c\/p\u003e \u003cp\u003eThe Ultra-kick adds a powerful feature set combining a new dual core architecture, internal FM, multistage distortion and a complete dynamics section.\u003cbr\u003e\u003c\/p\u003e \u003cp\u003eThe UK is a dual-core resonator topology evolved from the original Entity’s single core designs. The main core handles the frequency component while the character core provides a whole new level of sound sculpting beyond what the original designs were capable of. The character control is a major feature of the UK and is critical for the ability to craft a wide variety of impulse\/attack styles and overall sound characteristics. Having two resonator cores also permits one of the cores to be modulated by the other. The addition of the ripple feature accomplishes this by allowing an adjustable amount of the main core to modulate the character core. Ripple dramatically enhances the initial impulse transient offering a novel means to shape clicks and accents, as well as providing additional girth and frequency modulated tones. Since a resonator is essentially a filter, the additional core via character can provide low-pass filtering for muted and softer kicks as well as unison resonant boosting when the main and character frequencies are matched.\u003c\/p\u003e","brand":"Steady State Fate","offers":[{"title":"Default Title","offer_id":54725866750293,"sku":null,"price":159.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/entityUltraKick.jpg?v=1787441642"},{"product_id":"buchla-296e-spectral-processor","title":"Buchla - 296e Spectral Processor","description":"\u003cp\u003eA 16 channel bandpass filter with built-in analysis and synthesis capability, the 296e can function as a real time performance filter, a programmable compound equalizer and even as a spectrum transferring vocoder.\u003c\/p\u003e \u003cp\u003eCenter frequencies are selected to complement the ear’s discrimination curve. 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With dedicated Pitch\/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cstrong\u003e100 User Defined Scales\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDesign and modulate between your own custom scales and root note.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cstrong\u003eModulate BPM\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eUse the CTRL Knobs, AUX Inputs, or Mod Lanes to modulate the BPM of your track and the clock outputs of the Metropolix.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cstrong\u003eLoopy — Performance Looping\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMetropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even “play” the stage buttons directly (like a ‘keyboard’).\u003c\/p\u003e \u003cp\u003e\u003cb\u003e\u003cstrong\u003e64 Total Recall Presets \u0026amp; Preset Chaining\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMetropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored on the module, ensuring that your Metropolix will always power up exactly as you left it — even if you haven’t saved them to a preset. 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Cascadia has MIDI in\/out\/thru\/USB, Eurorack compatible signal levels and pro-level audio I\/O to interface with the rest of your studio or get your studio started. Check it out—\u003c\/span\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/upB-27GIGPA?si=4R89X53MB0oJEKQB\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e \u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eModern Analog Architecture\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003cspan\u003eCascadia is packed with a mix of classic East and West Coast synthesizer blocks. Normalized connections let you get straight to the sounds inside. Or, let your imagination run wild and patch any of the modules together however you choose. Make small tweaks to the architecture, or  re-route the entire synth to your liking—the choice is yours!\u003c\/span\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eTwo Precision Analog VCOs \u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eVCO A is Thru-zero FM-ready with a dedicated Index VCA, Sub Oscillator, PWM and Soft\/hard sync.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003eVCO B is a combo VCO\/LFO with 4 simultaneous outputs\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eSix Channel Waveform Mixer\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eTwo patchable (normalled) inputs\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003eNoise generator with multiple algorithms.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"3\"\u003e\u003cspan\u003eOptional asymmetric soft clipping on the mix output.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eLiquid-Sounding, Cascaded 4-Pole Multimode Filter\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eEight Modes: LP1, LP2, LP4, BP2, BP4, HP4, NT2, Phazor.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003eAdditional dedicated outputs for LP4 and HP4.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"3\"\u003e\u003cspan\u003eInput Level Knob for fine control of filter input and resonance balance and added drive.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"4\"\u003e\u003cspan\u003eMultiple FM inputs and a QM input, all with attenuators.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eWavefolder Circuit\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eWest Coast-style parallel wavefolder.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003eNormalled into the auxiliary input on the VCA in parallel with the filter.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eDual Digital Envelopes\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eENV A is a versatile east coast style ADSR \/ AHDSR envelope generator with a hold function and dynamic level\/time control. Normalled to the VCA to instantly shape your sound.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003eENV B is a complex, multimode function generator with a West Coast style AR\/ASR\/Cycling AR, a beat syncable LFO, Burst generator modes, and the Entropic Sequence Generator (added in 1.3). Normalled to the filter for instant FM without patching.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eVCA A and Output Path\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eVCA A is a linear VCA with auxiliary input.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003eGlobal Output Mixer with overdrive circuit and bypassable asymmetric soft clipping.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eExpansive Utilities Sections\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003cspan\u003eCascadia also features a whole host of utilities for getting the most out of your patches.\u003c\/span\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eThe Utility Row\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eSample and hold circuit with white noise normalled to the input.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003eSlew\/Envelope follower.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"3\"\u003e\u003cspan\u003eAttenuverter\/Mixer with multiple outputs.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"4\"\u003e\u003cspan\u003eTriple triangle LFO with rate control, rate input and divided outputs.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"5\"\u003e\u003cspan\u003eTriple buffered multiple.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"6\"\u003e\u003cspan\u003ePrecision adder.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"7\"\u003e\u003cspan\u003eSignal inverter.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"8\"\u003e\u003cspan\u003eBi-polar \u0026gt; Unity level shifter.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"9\"\u003e\u003cspan\u003eExpression level control for modulation the TRS expression input on an FX pedal.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"10\"\u003e\u003cspan\u003eRing Modulator.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"11\"\u003e\u003cspan\u003eVCA B \/ LPF (LPG) — Auxiliary VCA and 4-Pole Diode Ladder VCF combination for additional dynamics.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eThe Top Row\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eEasy to access Pitch, Gate, and Velocity CV inputs.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003ePedal Send and Return FX loop with Wet\/Dry control, phase inverter and Line\/Pedal level switches.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"3\"\u003e\u003cspan\u003eOutput Mixer with Overdrive.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"4\"\u003e\u003cspan\u003eEurorack Level Main output with level control for interfacing with other modular gear.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eThe Outside world — MIDI, Pedal and Audio I\/O\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003cspan\u003eCascadia is equipped with a ton of I\/O to get it connected to the rest of your gear.\u003c\/span\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eRear Panel\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003e¼” Stereo Headphone jack.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003e¼” Balanced Output Jack.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"3\"\u003e\u003cspan\u003e¼” Balanced Input routed to a slider and output on the main panel for patching anywhere into Cascadia.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"4\"\u003e\u003cspan\u003e¼” TS Pedal FX Send Return and ¼” TRS Expression Out.\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"5\"\u003e\u003cspan\u003eMIDI DIN In\/Out\/Thru and USB-MIDI all routed to the MIDI \u0026gt; CV Interface on the top panel.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eMIDI \u0026gt; CV Interface\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003cspan\u003eDeeper MIDI configuration is available with our Intelljel Config App (link below). MPE Support has been added in v1.4 and supports the Ableton Live 12 Tuning systems. Dual Mono mode (added in 1.3) allows an additional channel to send it’s own Pitch\/Gate signal on the CC\/MOD outputs. All modes support MIDI Portamento.\u003c\/span\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eMIDI Pitch \/ Velocity Outputs and Learn Button\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003eMIDI Gate \/ Trig Outputs\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"3\"\u003e\u003cspan\u003eMIDI CC \/ Mod — Learnable and assignable to any CC or Channel Pressure\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"4\"\u003e\u003cspan\u003eMIDI LFO — Multimode LFO synced with MIDI or Tap Clock\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"5\"\u003e\u003cspan\u003eMIDI CLK — Dividable MIDI clock with alternate Tap Clock functionality.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eCascadia comes ready to play.\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe normalization behind the panel allows for a ton of exploration without ever adding a patch cable; there is years of material to explore in Cascadia and years more when you start patching. We’ve included everything you need to get started: 14 assorted patch cables, USB-A to USB-C cable, and an international power supply.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eIn the Box\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eCascadia Semi-modular Synthesizer\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003e14 Patch cables — 4×10cm, 4×15cm, 4×30cm, 2×45cm\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"3\"\u003e\u003cspan\u003eUSB-C to A cable\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"4\"\u003e\u003cspan\u003eIntellijel cable tie\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"5\"\u003e\u003cspan\u003e15V\/1.2A AC Adaptor (Euro\/American prongs included)\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cul class=\"cms-ul\"\u003e \u003cli value=\"1\"\u003e\u003cspan\u003eHeight: 66mm (from rubber foot to top of knobs)\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"2\"\u003e\u003cspan\u003eWidth: 348mm (including wood end cheeks)\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"3\"\u003e\u003cspan\u003eDepth: 246mm (front to rear jacks).\u003c\/span\u003e\u003c\/li\u003e \u003cli value=\"4\"\u003e\u003cspan\u003ePower: 15V DC\/1.0 A (minimum), center-pin-positive.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Dark Grey","offer_id":54725867110741,"sku":null,"price":824.11,"currency_code":"GBP","in_stock":true},{"title":"White Fog","offer_id":54725867143509,"sku":null,"price":824.11,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/CascadiaW.jpg?v=1787441651"},{"product_id":"snd-fb-14-mk2-discrete-inductive-range-fixed-filter-bank","title":"SND - FB-14 Mk2 Discrete Inductive Range Fixed Filter Bank","description":"\u003ctable border=\"0\" width=\"720\" cellpadding=\"5\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd valign=\"top\" colspan=\"5\" style=\"width: 23.4531px;\"\u003e-\u003c\/td\u003e \u003ctd width=\"685\" style=\"width: 538.047px;\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eclassic class-A circuit design using coils, which have to be custom-made and thus are very costly, but they sound just so much better than standard RC-filters. Only 4 transistors in signal path, 2 of them being selected germanium types, which behave somewhat similar to vacuum tubes.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd valign=\"top\" colspan=\"5\" style=\"width: 23.4531px;\"\u003e-\u003c\/td\u003e \u003ctd width=\"685\" style=\"width: 538.047px;\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003e14 bands with 2-pole-filters. Center frequencies are 35, 65, 105, 160, 240, 360, 540, 800, 1200, 1800, 2700, 4000, 7000 and 12000 Hz.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd valign=\"top\" colspan=\"5\" height=\"56\" style=\"width: 23.4531px;\"\u003e-\u003c\/td\u003e \u003ctd width=\"685\" height=\"56\" style=\"width: 538.047px;\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eThe choice of the frequencies in (nearly) fifth intervals avoids a false ´tonality´ (that is an unwanted emphasis or attenuation of the same musical note in different octaves) that can be found on all octave, semi-octave, and one-third-octave filterbanks.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd valign=\"top\" colspan=\"5\" style=\"width: 23.4531px;\"\u003e-\u003c\/td\u003e \u003ctd width=\"685\" style=\"width: 538.047px;\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eThe control range per band is +\/- 20 dB (!). This corresponds to a ratio of 1\/100 compared to 1\/16 (+\/- 12dB) available on almost all other equalizers and filterbanks. So even drastic sound manipulations are possible that normally require two chained EQ´s. The q-factor of the filters gradually increases from 0.7 at +\/-10 dB to 6 at +\/- 20 dB.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd valign=\"top\" colspan=\"5\" style=\"width: 23.4531px;\"\u003e-\u003c\/td\u003e \u003ctd width=\"685\" style=\"width: 538.047px;\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eThe individual filters are not decoupled from each other. Thus all kinds of - wanted - phase changes and cancellations occure. Normally this circuit design has the disadvantage of a very non-linear control curve (all relevant changes happen within a few degrees at either end of the pot´s turn). To compensate this, sealed high quality pots with a special curve are used, custom-made for us by ALPS.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd valign=\"top\" colspan=\"5\" style=\"width: 23.4531px;\"\u003e-\u003c\/td\u003e \u003ctd width=\"685\" style=\"width: 538.047px;\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eInput gain and output level controls. Input gain can be set from - 20 to +20dB. Due to its special circuitry, overdriving the unit produces much more interesting results than standard rc-filters using op-amps.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd valign=\"top\" colspan=\"5\" style=\"width: 23.4531px;\"\u003e-\u003c\/td\u003e \u003ctd width=\"685\" style=\"width: 538.047px;\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eFrequency range 20-50000Hz +\/- 1.5dB, Signal-to-noise ratio 90dB.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd valign=\"top\" colspan=\"5\" height=\"21\" style=\"width: 23.4531px;\"\u003e-\u003c\/td\u003e \u003ctd width=\"685\" height=\"21\" style=\"width: 538.047px;\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003e1\/4” jacks for input and output. Internal ground-lift for separating chassis and audio ground.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd valign=\"top\" colspan=\"5\" style=\"width: 23.4531px;\"\u003e-\u003c\/td\u003e \u003ctd width=\"685\" style=\"width: 538.047px;\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eBypass (using a sealed relay) through frontpanel push-button and automatically when power is disconnected (\"hard-wire bypass\").\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd valign=\"top\" colspan=\"5\" height=\"20\" style=\"width: 23.4531px;\"\u003e-\u003c\/td\u003e \u003ctd width=\"685\" height=\"20\" style=\"width: 538.047px;\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003e19”, 1 unit, depth (behind frontpanel): 58mm + plugs, external power supply.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"snd","offers":[{"title":"Default Title","offer_id":54725867241813,"sku":null,"price":842.41,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/sndfb3.jpg?v=1787441652"},{"product_id":"snd-acme-4-advanced-clock-management-engine","title":"SND - ACME-4 Advanced Clock Management Engine","description":"\u003cp align=\"center\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif;\"\u003e\u003cb\u003ethe ultimate in musical clock generation \u0026amp; manipulation\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e \u003ctable border=\"0\" cellpadding=\"5\" width=\"720\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\" height=\"19\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd height=\"19\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eThe only device we know of to generate a MIDI master clock that is 100% jitter-free\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\" height=\"25\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd height=\"25\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eDerives a highly accurate MIDI clock from any audio recording system\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\" height=\"17\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd height=\"17\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eAnalog 16th-note triggers can also be used as clock source\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eGenerates 4 separate clock streams\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eEach clock stream has its individual MIDI output. 2 streams also generate 24-ppq signals (“Roland sync”), while the other 2 provide clock and reset signals for analog sequencers and arpeggiators.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eEach clock stream can be time-shifted in relation to the master clock, in extremely small increments as well as in 16th-note steps. The fine shift, too, follows tempo changes.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\" height=\"25\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd height=\"25\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eIn addition a constant fine offset can be set for each clock stream to allow compensation of technical latencies.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eEach clock stream can be set to double or half tempo, and can be turned on and off without loosing synchronicity.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\" height=\"14\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd height=\"14\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eA swing or shuffle factor can be set individually for each clock stream. The swing pattern can be the same for all 4 streams, or it can be a different one for each. A software editor for these patterns is included.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\" height=\"34\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd height=\"34\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eAll functions have dedicated controls, so they can be \"played\" without staring at a display and poking around in submenus. Calibrated center clicks on all pots allow instant nulling.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\" height=\"32\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd height=\"32\"\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eComplete settings of all controls can be stored and recalled. All parameters can be remote controlled via MIDI.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eLike all SND products, the ACME-4 has been designed with great attention to detail. The 32-bit risc-processor ensures lightning-fast reaction. High-grade components (gold-plated jacks, switches, and push-buttons, sealed Alps potentiometers etc.) and a rugged metal casing ensure decades of reliable operation.\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd colspan=\"5\" valign=\"top\" width=\"15\"\u003e\u003cspan style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"\u003e\u003cb\u003e-\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e \u003ctd\u003e\u003cspan style=\"font-family: Times New Roman, Times, serif; font-size: medium;\"\u003eSize: 217 mm (width) x 160 mm (depth) x 68 mm (height), powered by USB or external supply\u003c\/span\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"snd","offers":[{"title":"Default Title","offer_id":54725867274581,"sku":null,"price":631.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/snd_acme.jpg?v=1787441653"},{"product_id":"tobinski-lfos","title":"Tobinski - LFOs","description":"\u003ch2\u003eTobinski LFOs\u003c\/h2\u003e \u003cp\u003eTobinski's Dual LFOs module contains two independent low-frequency oscillators with extensive modulation capabilities. One LFO can sync to an external clock, while the other resets to an incoming pulse. Each LFO features two banks of eight waveshapes, with manual and voltage-controlled adjustments for waveshape, frequency, multiplier\/divider, skew, and level. Tobinski's Dual LFO module isn't just about oscillations—it's about interplay, about intricate modulation feedback loops that twist upon themselves like an Escher staircase. Their outputs cross-modulate, spiraling into controlled chaos. It is the quantum mechanics of movement, forever oscillating between predictability and entropy—add a Tobinski Dual LFO to your rack and enjoy a veritable cornucopia of modulation possibilities.\u003c\/p\u003e \u003ch2\u003eLFOs Features\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eDual LFOs based on Electric Druid TAPLFO3C and VCLFO10\u003c\/li\u003e \u003cli\u003eLeft side syncs to clock input\u003c\/li\u003e \u003cli\u003eRight side resets on clock pulse\u003c\/li\u003e \u003cli\u003e16 Selectable waveforms, 8 per side\u003c\/li\u003e \u003cli\u003eFrequency control in freeform or multiplier\/divider mode\u003c\/li\u003e \u003cli\u003eWaveform skew allows for asymmetrical shapes\u003c\/li\u003e \u003cli\u003eWave smoothing\u003c\/li\u003e \u003cli\u003eLevel control over output amplitude\u003c\/li\u003e \u003cli\u003e2x CV Inputs for each LFO with attenuators and selectable destination\u003c\/li\u003e \u003cli\u003eCross-mod with internal routing\u003c\/li\u003e \u003c\/ul\u003e","brand":"Tobinski","offers":[{"title":"Default Title","offer_id":54725867503957,"sku":null,"price":178.73,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/LFOs.jpg?v=1787441659"},{"product_id":"doepfer-a-149-3-fluctuating-random-voltages","title":"Doepfer - A-149-3 Fluctuating Random Voltages","description":"\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eA-149-3 is the third module of the A-149-x range. In this group we present several functions of Don Buchla's \"Source of Uncertainty 265\/266\" (SOU) modules that cannot be realized with existing A-100 modules. Some functions of Buchla's 265 and 266 SOU can be realized with existing A-100 modules. For details please refer to\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.doepfer.de\/a100_man\/a100_patch.htm\"\u003eA-100 patch examples\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eModule A-149-3 is based on the homonymous \"Fluctuating Random Voltages\" by Buchla. Compared to the historic original a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S\u0026amp;H) and there are a lot of adjustable parameters which were fixed in the original. For example the frequency and noisiness of the internal triangle oscillator, the correlation of the S\u0026amp;H and manual or automatic frequency control of the S\u0026amp;H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S\u0026amp;H or slew unit can be used independent from the other units.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eThe functions in detail:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eAs in the original a digital noise signal is filtered in three different ways. The three \"noise flavours\" are available at three sockets and can be used for all kind of noise applications:\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e+3db (+3dB per octave, a bright noise, also called blue noise)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it \"reciprocal white noise\")\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFlat (flat spectrum, also called pink noise)\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eIn the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed \"noisiness\". The result is called \"noisy triangle\". In the A-149-3 the frequency of the triangle oscillator  and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket \"N Tri\" and is displayed with a dual color LED.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe \"N Tri\" signal is normalled to the signal input of the subsequent Sample\u0026amp;Hold unit (S\u0026amp;H). The clock signal for the S\u0026amp;H is generated by an internal rectangle oscillator. This signal is normalled to the S\u0026amp;H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position \"man.\" the period is controlled manually by the \"Period\" control. With control \"Period\" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position \"auto\" of the switch the period is controlled by the slew unit. In this position a vactrol is used to define the frequency of the S\u0026amp;H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S\u0026amp;H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.\u003cbr\u003eThe S\u0026amp;H has another special feature: the Correllation control. It's a feedback function where shares of the S\u0026amp;H output are fed back to the S\u0026amp;H signal input and mixed with the actual S\u0026amp;H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a \"digital slew function\" because the gradation of the signal persists.\u003cbr\u003eThe S\u0026amp;H output is availabe at the corresponding socket and is displayed with a dual color LED.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe S\u0026amp;H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode\/LED and a light dependent resistor\/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control \"Man.\" of the slew unit) and by an external control voltage (socket \"SL CV\" with associated attenuator \"CV\" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S\u0026amp;H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual color LED.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eDue to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S\u0026amp;H unit (incl. correlation) or the SL unit can be used for other signals. The S\u0026amp;H clock can be applied also from outside to synchronize the S\u0026amp;H to other signals. If required the internal clock signal is available at a pin header of the pc board.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eControls, Switches and Displays:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eSlew Unit\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eMan.:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003emanual adjustment of the slew time \u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eCV: \u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eattenuator for the SL CV input\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eLED: \u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003edisplay of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eTriangle LFO\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eFrq.:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eLFO frequency, range ~ 110 Hz ... 5 seconds period\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eNoise: \u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eadjustment of noisiness (= perturbance of the triangle signal)\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003e+3dB\/-3dB: \u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eswitch for the source of noisiness \u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eLED: \u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003edisplay of the noisy triangle signal, dual color LED  (rot = positive \/ yellow = negative output voltage)\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eSample\u0026amp;Hold (S\u0026amp;H)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003ePeriod:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eperiod of the internal clock signal for the S\u0026amp;H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eLED: \u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003edisplay of the internal clock signal\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eCorrel.: \u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eadjustment of the correllation of the S\u0026amp;H unit\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eMan.\/Auto: \u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eswitching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eLED: \u003c\/b\u003edisplay of S\u0026amp;H output, dual color LED  (rot = positive \/ yellow = negative output voltage)\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eSlew Limiter (SL)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eLED: \u003c\/b\u003edisplay of SK output, dual color LED  (rot = positive \/ yellow = negative output voltage)\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eSockets:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e+3dB  \u003c\/span\u003e:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efiltered digital noise with +3dB per octave (output)\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e-3dB \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efiltered digital noise with -3dB per octave (output)\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eFlat  \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eflat noise output\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eN Tri \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eNoisy Triangle output, about 10Vpp (-5V ... +5V)\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eS\u0026amp;H In:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eS\u0026amp;H signal input, normalled to\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cspan\u003eN Tri \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e \u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eS\u0026amp;H Out\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eS\u0026amp;H signal output\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eSL CV:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003econtrol voltage of the slew limiter unit, connected to the corresponding attenuator \"CV\" of the slew unit\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eS\u0026amp;H Clk:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eclock input of the S\u0026amp;H unit, normalled to the internal clock oscillator\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eSL In:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eslew limiter input, normalled to\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cspan\u003eS\u0026amp;H Out \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e \u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eSL Out\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eslew limiter output\u003c\/span\u003e\u003c\/p\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe arrow symbols indicate the normalling of sockets. Outputs are\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003einverse\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003elabelled.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cb\u003eTechnical details:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFrequency range of the triangle LFO: about 110 Hz ... 5 seconds period\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eOutput level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFrequency range of the internal clock oscillator: about 3 seconds ... 30Hz\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eOutput level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eRequired input level of the S\u0026amp;H clock input: +5V\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":54725867667797,"sku":null,"price":139.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/A-149-3_Noisebug.jpg?v=1787441662"},{"product_id":"doepfer-a-126-2-voltage-controlled-frequency-shifter-ii","title":"Doepfer - A-126-2 Voltage Controlled Frequency Shifter II","description":"\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rAZyecPwHGQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cp data-mce-fragment=\"1\"\u003eModule A-126-2 is a fully analog frequency shifter for audio signals.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eA frequency shifter is an audio processing unit that shifts each frequency of the incoming audio signal by the same frequency. If the shifting frequency is e.g. 200Hz an incoming audio frequency of 1000 Hz becomes 1200 Hz, 2000Hz becomes 2200 Hz, 3000 Hz becomes 3200 Hz and so on. Pay attention that this is different from pitch shifting where all frequencies are shifted proportional (e.g. 1000\u0026gt;1200Hz, 2000\u0026gt;2400Hz, 3000\u0026gt;3600Hz) !\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eThe frequency range of the internal quadrature VCO is about 8 octaves (about 20Hz ... 5kHz). If required an external quadrature VCO can be used.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eThe module is equipped with these controls, inputs and outputs:\u003c\/p\u003e \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eFrequ. 1\u003c\/strong\u003e: first manual control of the shifting frequency (factory setting: coarse, range about 20Hz - 5 kHz)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eFrequ. 2\u003c\/strong\u003e: second manual control of the shifting frequency (factory setting: fine)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eby means of internal jumpers the sensitivity of Frequ.1 and 2 can be swapped (i.e. Frequ.1 = fine and Frequ.2 = coarse)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003ethe relation between coarse and fine control is about 25:1 (corresponds to about 8 octave to 1\/3 octave)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eFCV In\u003c\/strong\u003e (socket) and \u003cstrong data-mce-fragment=\"1\"\u003eFCV \u003c\/strong\u003e(small control without knob): control voltage input with attenuator for the external voltage control of the shifting frequency\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMix\u003c\/strong\u003e: manual control of the up\/down shift panning unit, fully CCW = down shift, fully CW = up shift, in between a mixture of down and up \u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMix CV In \u003c\/strong\u003e(socket) and \u003cstrong data-mce-fragment=\"1\"\u003eMix CV \u003c\/strong\u003e(small control without knob): control voltage input with attenuator for the mixing unit for external voltage control of the up\/down mixing\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAudio In \u003c\/strong\u003e(socket), \u003cstrong data-mce-fragment=\"1\"\u003eLevel \u003c\/strong\u003e(small control without knob) and \u003cstrong data-mce-fragment=\"1\"\u003eOverload\u003c\/strong\u003e (LED): audio input with attenuator, typ. audio in level = 1Vpp, the level control has to be adjusted so that the overload LED just begins to light up a bit, when the LED is fully on clipping\/distortion occurs, when the LED is permanently off the input level is too low and the signal-to-noise ratio increases\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAudio Out \u003c\/strong\u003e(socket): audio output of the frequency shifter\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSquelch \u003c\/strong\u003e(small control without knob): controls the squelch function: fully CCW (Env.) the output VCA is controlled by the envelope signal, which is derived from the audio input signal, fully CW (open) the output VCA is permanently open (no squelch function),  in between the squelch intensity can be adjusted\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eQuadrature VCO Outputs \u003c\/strong\u003e(sockets \u003cstrong data-mce-fragment=\"1\"\u003e Sin\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eCos\u003c\/strong\u003e): outputs of the internal quadrature oscillator, about 12Vpp level (+6V\/-6V)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eExt. Inputs \u003cstrong data-mce-fragment=\"1\"\u003eSin \u003c\/strong\u003eand \u003cstrong data-mce-fragment=\"1\"\u003eCos \u003c\/strong\u003e(sockets): required when an external quadrature VCO (e.g. A-143-9 with a wider range or A-110-4 with thru zero feature or A-110-6 with different waveforms) is used instead of the internal quadrature VCO, the levels of the externalVCO should be about 10Vpp (8...10Vpp are OK) and the signals have to be symmetrical around zero Volts, the sockets are normalled to the internal quadrature VCO (i.e. the sockets are equipped with switching contacts that interrupt the internal connection as soon as a plug inserted)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eVCA ext. CV \u003c\/strong\u003e(socket): used when an external control voltage (e.g. from an envelope generator) should be used to control the output VCA instead of the internal squelch unit, the socket is normalled to the output of the Squelch control (i.e. the socket is  equipped with a switching contact that interrupts the internal squelch connection as soon as a plug inserted). From about +8V external control voltage the VCA is fully open.\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eInternal terminals (pin headers, e.g. for a DIY breakout module): \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003eenvelope follower output \u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003edome filter output 1\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003edome filter output 2\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003ering modulator 1 output\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003ering modulator 2 output\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eUp shift output\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eDown shift output\u003c\/li\u003e \u003c\/ul\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003chr class=\"line\" data-mce-fragment=\"1\"\u003eHP : 8","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":54725867897173,"sku":null,"price":216.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/a-126-2.jpg?v=1787441667"},{"product_id":"doepfer-a-111-2-high-end-vco-ii-vclfo","title":"Doepfer - A-111-2: High End VCO II \/ VCLFO","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eModule A-111-2 is the successor of the obsolete High End VCO I A-111-1.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere are the most important features of the planned module:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003etriangle core \u003c\/span\u003e\u003cspan\u003efully analog design \u003c\/span\u003e\u003cspan\u003emin. 15 octaves pitch range (typ. 0.5Hz - 20kHz in VCO mode \/ 0.001Hz - 40Hz in LFO mode) \u003c\/span\u003e\u003cspan\u003eperfect 1V\/octave tracking over min. 10 octaves (typ. 20Hz - 20kHz)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExponential frequency controls and inputs:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTune (about +\/- 1 octave range)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFine (about +\/- 1 semitone range)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOctave (range switch with 6 positions)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1V\/octave CV input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eXFM input with attenuator\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eaccess to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003elinear frequency controls and inputs:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLF (manual linear frequency control: fully CW = standard setting for usual VCO applications, fully CCW: close to 0Hz frequency) \u003c\/span\u003e\u003cspan\u003eworks also as a kind of range control for the exponential section \u003c\/span\u003e\u003cspan\u003eLFM input with attenuator, DC coupled\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePulsewidth controls and inputs (for rectangle output):\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePW (manual pulsewidth control from 0%\/output = fixed at \"low\" state up to 100% \/ output fixed at \"high\" state) \u003c\/span\u003e\u003cspan\u003ePWM input with attenuator\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHard Sync input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoft Sync input\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWaveform outputs:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSawtooth\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRectangle (controlled from pulsewidth section)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTriangle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSine\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRange switch to select VCO\/VCLFO mode, frequency relation between VCO mode and LFO mode about 1:500 \u003c\/span\u003e\u003cspan\u003edual color LED display (to display low frequencies below ~ 25 Hz)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNearly \"perfect\" waveforms (no glitches) \u003c\/span\u003e\u003cspan\u003ehigh end triangle to sine converter with excellent sine waveshape (thank's to Tim Stinchcombe who recommended this circuit) \u003c\/span\u003e\u003cspan\u003ethe micro precision VCO A-111-3 uses the same VCO core as the A-111-2, but has less inputs, outputs and controls.\u003c\/span\u003e\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":54725868028245,"sku":null,"price":145.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/a-111-2.jpg?v=1787441669"},{"product_id":"novation-bass-station-ii-swifty-edition","title":"Novation - Bass Station II Swifty Edition","description":"\u003ch2\u003eNovation Bass Station II Swifty Edition\u003c\/h2\u003e \u003cp\u003e\u003cspan\u003eTogether with visionary British graphic designer Ian “Swifty” Swift, Novation has reimagined their iconic paraphonic synthesiser in his inimitable DIY style and packed it with fresh, new artist packs from Bass Station II power users Legowelt, Pecq, and Maria Chiara Argirò.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003eThe Novation Bass Station II is an updated version of their classic Bass Station, albeit with a dazzling and extensive array of ingenious features too numerous for this brief description. Like its predecessor, the Bass Station II is inherently portable and features a completely analog signal path. This synth contains two filters, dual oscillators, a sub-oscillator, and an all-analog signal path and effects section. Additionally, users can save and recall presets, access an internal step sequencer, arpeggiator, an extensive modulation section, and a 25 note keyboard. \u003c\/p\u003e \u003cp\u003eAs its name suggests, the Bass Station II is oriented towards bass tones, but is capable of much more. Its sound engine is capable of an array of leads and arpeggios, while its keys are velocity sensitive and feature assignable aftertouch. Each key is individually sprung, making them both light and extremely responsive.\u003c\/p\u003e \u003cp\u003eAs of firmware v2.5, the Bass Station II includes a host of features that expand the synthesizer's potential tremendously. The Bass Station II is now capable of monophonic and paraphonic operation, utilizing the second oscillator as a pseudo-second voice. This firmware update also offers options for microtuning, making it possible to construct exotic scales—and with the paraphonic mode engaged, it offers the option of complex, otherworldly harmonies. Additional features include variable filter keyboard tracking, envelope retriggering, and \"oscillator error\" for creating pleasant, vintage-sounding instabilities.\u003c\/p\u003e \u003cp\u003eIn terms of connectivity, the Bass Station II features MIDI I\/O and USB connectivity. There’s also an external instrument input that enables users to route external instruments through the synthesizer’s analog filter and effects section. \u003c\/p\u003e \u003ch2\u003eBass Station II Features\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eAnalogue synth: Bass Station II has a pure analogue audio signal path, reviving the spirit of the original Bass Station with an all-new design optimised for bass\u003c\/li\u003e \u003cli\u003eTwo distinct analogue filters: A brand new “Acid” filter joins the “Classic” original Bass Station filter -(“Classic” switches between low, hi and band pass with 12 and 24dB slopes)\u003c\/li\u003e \u003cli\u003eLoad and save patches: Bass Station II ships with 64 factory patches and a further 64 user slots. Patch dump enables you to archive and swap sounds\u003c\/li\u003e \u003cli\u003ePattern-based Step Sequencer and Arpeggiator: Bass Station II has an arpeggiator with a programmable step sequencer that enables you to store and call up patterns and quickly sketch-out ideas\u003c\/li\u003e \u003cli\u003eDedicated Tweakable Controls: Analogue synth layout includes dedicated controls for all major parameters enabling instant hands-on control of the sound engine\u003c\/li\u003e \u003cli\u003eTwo Oscillators plus an additional Sub Oscillator: Bass Station II has two sync-able, tune-able oscillators with four selectable waveforms, plus a third sub-oscillator for generating enormous bass sounds\u003c\/li\u003e \u003cli\u003eAnalogue effects section: Bass Station II includes fully analogue distortion and filter-modulation effects and a separate filter overdrive to add an aggressive, crunchy sound-quality\u003c\/li\u003e \u003cli\u003eFlexible modulation featuring 2 Envelopes and 2 LFOs: LFO waveforms include triangle, sawtooth, square and sample \u0026amp; hold. Two ADSR envelopes are available for filter, pitch and pulse width modulation\u003c\/li\u003e \u003cli\u003eMIDI I\/O and USB connectivity: Bass Station II can be connected to your music software as well as your MIDI compatible hardware\u003c\/li\u003e \u003cli\u003ePlayers 'synth-action' keyboard with aftertouch: The keyboard mechanism is a two-octave (25 note) velocity sensitive synth-action keyboard with full-size keys and assignable aftertouch\u003c\/li\u003e \u003cli\u003eIncludes Ableton Live Lite, 4GB of Loopmasters Samples\u003c\/li\u003e \u003cli\u003eComponents content manager allows easy device backup\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","brand":"Novation","offers":[{"title":"Default Title","offer_id":54725868224853,"sku":null,"price":265.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/Swifty1.jpg?v=1787441672"},{"product_id":"erica-synths-black-stereo-reverb","title":"Erica Synths - Black Stereo Reverb","description":"\u003cdiv data-mce-fragment=\"1\" class=\"article-body mt-3\"\u003eThe Erica Synths Black Reverb is a versatile hi-fi stereo FX module with lots of unique features based on our custom DSP engine. The reverb sources are selectable Tape, BBD and \"dirty BBD\"; emulations with three modes, each – Room, Hall and Cathedral. Delicate room size control, feedback, tone and stereo spin controls allow for designing extremely delicate reverberation effects. CV control over various parameters and the ability to save up to 10 presets will make this module an integral part of any performance rack.\u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\" class=\"article-body mt-3 mb-3\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h3\u003e \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003eReverb based on Tape, BBD and digital delay lines\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eThree room sizes\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eManual and triggered FREEZE \u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e10 preset patches\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eCV control over size, feedback, tone and preset selection\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eAdjustable stereo spin\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\" class=\"article-body mt-3\"\u003e \u003cp data-mce-fragment=\"1\"\u003eThe modules run on new Erica Synths DSP hardware and the effects are developed in collaboration with Dutch company \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.112db.com\/\" data-mce-href=\"https:\/\/www.112db.com\/\"\u003e112dB\u003c\/a\u003e who make some of the most beautiful sounding effects.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eErica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest-quality components are used, all inputs and outputs are protected against undesired overvoltage. Erica Black Series consist of range of modules that are needed to put together entire synth.\u003c\/p\u003e \u003c\/div\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":54725868355925,"sku":null,"price":155.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/Black-Stereo-Reverb-webshop.jpg?v=1787441673"},{"product_id":"synthetic-sound-labs-mini-sequencer","title":"Synthetic Sound Labs Model 1651 - Mini Sequencer II","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e5U MODULE\u003c\/strong\u003e\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eAn upgraded version of our popular 1651 with greatly improved features. A collaboration with our friends at Division-6.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eFeature enhancements over the 1650 include:\u003c\/p\u003e \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003e7 sequence memories\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e5 song memories (string sequences together)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eSLUR- change pitch between steps without firing gate\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eVariable gate timing (including ratcheting)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eACC can be set to drop or not drop between steps, or follow gate timing for that step\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eAuto-advance step when programming\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eLive transpose (use the keyboard to shift entire sequence up or down while running)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eLive edit (buttons you push while running get saved to the sequence)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e1X mode (disable to use XP IN as a reset without requiring an external gate mixer)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eClock out (use ACC out jack to output clock if using internal clock)\u003c\/li\u003e \u003c\/ul\u003e \u003cp data-mce-fragment=\"1\"\u003eThe 1651 gives you standard CV and pulse out, plus an ACC out (Accent? Accessory?)  Use the ACC output to open up a filter, enable a glide, trigger a drum, or whatever you can think of.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eIt has its own internal clock to get you up and running in a hurry, but you can connect an external clock if you need greater control of tempo or want to sync with other devices.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eThe module can store up to 5 songs of 16 sequences each, and 7 sequences of up to 16 steps each.  Wow!\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eInputs\u003c\/strong\u003e\u003c\/p\u003e \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003eCLOCK IN (External clock input)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eSTART IN (Expansion input; Starts sequencer back at step 1. Use for daisy-chaining multiple units)\u003c\/li\u003e \u003c\/ul\u003e \u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutputs\u003c\/strong\u003e\u003c\/p\u003e \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003eEND OUT (Sends pulse when sequencer goes past last step. Use for daisy-chaining multiple units)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eACC OUT (Can be programmed on or off in each sequence step)\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003ePULSE OUT\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eCV OUT\u003c\/li\u003e \u003c\/ul\u003e \u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003eCV OUT covers 5 octaves\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eSequences can be set to any length up to 16 steps by using LOOP feature\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eSetting a step to REST holds previous pitch and doesn’t fire PULSE out\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eSetting a step to SLUR changes to the new CV and doesn’t fire the PULSE out\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eIn Standby mode, sequencer can be used as a tiny keyboard without altering programmed sequences\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e7 sequence memories with up to 16 steps per sequence.\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003e5 song memories string up to 16 sequences together\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eLive transpose\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eMuch more…\u003c\/li\u003e \u003c\/ul\u003e \u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCascading\u003c\/strong\u003e\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eYou can also cascade multiple 1651 ‘s to create longer, more complex and syncopated patterns.  Why would you need more than one sequencer?\u003c\/p\u003e \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003eMore sequencers = more steps\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eUse one for playing notes and the other for transposing those notes\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eCan be used as a clock divider\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eRun in parallel for multiple CVs \/ triggers\u003c\/li\u003e \u003c\/ul\u003e \u003cp data-mce-fragment=\"1\"\u003eThe two sequencers will run completely independently, or you can daisy-chain them using the START IN \/ END OUT jacks to create sequences of any length.\u003c\/p\u003e","brand":"Synthetic Sound Labs","offers":[{"title":"Default Title","offer_id":54725868421461,"sku":null,"price":157.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/SSL_Mini-Sequencer.jpg?v=1787441674"},{"product_id":"sequential-pro-3","title":"Sequential - Pro 3","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e \u003ch3\u003e\u003c\/h3\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ir_k6E17_Ps\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ch3\u003eA Three-Generation Legacy\u003c\/h3\u003e \u003cp\u003eThe Sequential Pro 1 and Pro 2 mono synths achieved nearly legendary status in their time. So it was only natural that we build on their strengths with an even more worthy successor. Enter the Pro 3, Sequential’s 2-VCO + wavetable mono\/paraphonic synth — a new benchmark for raw sonic power and unrivalled versatility.\u003c\/p\u003e \u003ch3\u003eThe Power of 3\u003c\/h3\u003e \u003cp\u003eThe Pro 3 boasts three oscillators, three vintage filters, three LFOs, four loopable envelopes, a massive 32-slot mod matrix, and a 16 x 16 x 4 sequencer. Throw in dual digital effects and four control voltage ins and outs, and you’ve got a hugely powerful instrument that’s as exciting to program as it is to play.\u003c\/p\u003e \u003ch3\u003eA Next-Generation Classic\u003c\/h3\u003e \u003cp\u003eThe Pro 3 is a hybrid of solid, old-school analog synthesis paired with versatile digital technology. Its two voltage controlled oscillators provide warmth and presence while its third wavetable oscillator provides digital edge and grit. With 32 tables of 16 waves each and wave morphing, tonal possibilities are immense. Tuned feedback with grunge, and analog distortion deliver industrial-grade nastiness on demand.\u003c\/p\u003e \u003ch3\u003eThree Filters Based on Vintage Designs\u003c\/h3\u003e \u003cp\u003eAt the heart of the Pro 3’s ballsy sound are its vintage-style filters. Filter 1 is a 4-pole low-pass design based on the Prophet-6 filter. Filter 2 is a classic transistor ladder filter with optional resonance compensation to preserve its low-end punch. Filter 3 is a classic 2-pole, state-variable design based on the OB-6 filter that can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. An additional Drive control provides still more punch when you really want to get down and dirty.\u003c\/p\u003e \u003ch3\u003eExpressive Sequencing\u003c\/h3\u003e \u003cp\u003ePossibly the Pro 3’s most powerful performance tool is its sequencer. With 16 tracks, 16 steps, and 4 phrases, it features both real-time and step input, ratcheting, variable gate and sequence lengths, multiple playback modes, and paraphonic operation. It also syncs to MIDI clock and external audio input, and inputs\/outputs control voltages. In addition to notes, sequence tracks can control any parameter in the 171-destination modulation matrix.\u003c\/p\u003e \u003ch3\u003ePlays Well with Modulars\u003c\/h3\u003e \u003cp\u003eThe Pro 3’s flexible architecture opens the door to not only processing external audio, but also to interfacing with modular synths through its 4 rear-panel control voltage inputs\/outputs and a dedicated gate output. Control voltages can be assigned and routed from within the modulation matrix and can run at audio rates for extreme modulation effects. Some of the many parameters that can be sent to the CV outputs include oscillators, LFOs, envelopes, and sequencer tracks, allowing the Pro 3 to become the central hub of a modular or multi-synth setup.\u003c\/p\u003e \u003ch3\u003eEffects, Envelopes, LFOs, an Arpeggiator, and Extreme Modulation\u003c\/h3\u003e \u003cp\u003eThe Pro 3’s Effects section provides delays, reverbs, time-domain effects such as chorus\/phasing\/flanging and more. There are four loopable five-stage envelope generators, three syncable LFOs with slew and phase offset, a full-featured arpeggiator, and a 32-slot modulation matrix with dozens of modulation sources and over a hundred destinations.\u003c\/p\u003e \u003ch3\u003eMonophonic and Paraphonic Operation\u003c\/h3\u003e \u003cp\u003eThe Pro 3 was designed to be a super-powerful monosynth, but it is also a versatile 3-voice paraphonic synth. This makes playing 3-note chords not only possible, but with creative use of effects and some per-oscillator modulation, very expressive.\u003c\/p\u003e \u003cp\u003ePut all of this sonic power in a three-octave, semi-weighted keyboard with velocity and channel aftertouch, add backlit pitch and mod wheels and a location-sensitive touch slider, and you’ve got one of the most inspiring synths ever made.\u003c\/p\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":54725868552533,"sku":null,"price":915.61,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/Pro3-large.jpg?v=1787441674"},{"product_id":"biyiblip-blippulator-1","title":"Biyiblip - Blippulator","description":"\u003ch1\u003eBiyiblip - Blippulator\u003c\/h1\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GU_r0Z0-g34?si=F5e0hyfax3i3U4SQ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e \u003cp\u003eUser Manual can be downloaded \u003ca rel=\"noopener\" href=\"https:\/\/drive.google.com\/drive\/folders\/1-e1DaSKYz18DGYliYB9UiuAJk5teZHRa\" target=\"_blank\"\u003ehere\u003c\/a\u003e\u003c\/p\u003e \u003ch3\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003eMeet blippulator, the quirky offspring of Rob Hordijk’s legendary designs, blending the heart of a Blippoo Box with the chaotic energy of a Benjolin. \u003c\/span\u003e\u003c\/h3\u003e \u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBorn from the mind of Hordijk's sonic explorations and further refined by Biyi, Blippulator takes everything we love about these classics and adds a fresh twist. \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAt its core, blippulator features extensive CV control, letting you dial in and modulate key parameters like the pitch of its two oscillators and the cutoff frequencies of its dual resonant filters. These aren’t just any filters—they’ve got that twin-peak magic that Hordijk fans will instantly recognise, adding a complex, organic edge to your sound. \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOne of blippulator’s coolest tricks? You can select any two arbitrary signals to create a custom PWM waveform, adding a layer of flexibility and unpredictability to your patches. Whether you’re controlling it from a Eurorack system or another external device, the 0-5V CV inputs and outputs make it a breeze to integrate into your setup. The panel is user-friendly, making it easy to get hands-on with your sound and improvise live. \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAnd just when you think you’ve got it figured out, blippulator’s got a few secret weapons up its sleeve to keep things interesting in your performances. It’s a powerful tribute to Rob Hordijk’s genius, honouring his designs while pushing them in new directions, making it a must-have for anyone who loves modular synthesis and sonic exploration. \u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBlippulator is more than a synthesizer—it's a celebration of the past and the future of sound design, with a nod to one of the most innovative minds in the field. Plug in, experiment, and let it take your performances to the next level\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003eKnobs and controls \u003c\/span\u003e\u003c\/p\u003e \u003col\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eRate\u003c\/strong\u003e This knob controls the pitch of the oscillators, clockwise (CW) is high, counter-clockwise (CCW) is low. This is added to the corresponding CV inputs to determine the final resulting pitch.\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eCV\u003c\/strong\u003e This knob controls how much the CV inputs (or the normalised signal from the Runglers) will affect the final pitch of the corresponding oscillator. Even with a signal present at the CV inputs, if the position is fully counterclockwise (CCW) the pitch of the oscillator will not be affected by the external control voltage. This is also known as Frequency Modulation Amount. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003ePeak\u003c\/strong\u003e This knob controls the cutoff frequency of the corresponding filter. The filters are arranged in the classic Hordijk twin-peak configuration, meaning that both frequency knobs interact to allow for the creation of Low-pass, Highpass, and Band-pass filter responses. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eReso\u003c\/strong\u003e This controls de resonance of the corresponding filter, also known as Qfactor or emphasis in other electronic instruments. It determines the sharpness or resonance of the filter’s cutoff frequency. A higher Reso value (CW) produces a more pronounced peak at the cutoff, emphasizing frequencies near the cutoff point or even making the filter oscillating and creating a ping sound every time it receives an impulse, while a lower Q (CCW) results in a smoother, less resonant response. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eCV\u003c\/strong\u003e This knob controls how much the CV inputs (or the normalised signal from the Runglers) will affect the frequency cut-off of the corresponding filter. Even with a signal present at the CV inputs, if the position is fully counterclockwise (CCW) the cut-off frequency of the filter will not be affected by the external control voltage. This is also known as Filter Frequency Modulation Amount. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eMain\u003c\/strong\u003e This knob simply sets the overall volume of the instrument. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003ePTN\u003c\/strong\u003e The PTN knob controls the data flow into the logic processor that feeds the Runglers, affecting the generation of patterns. When positioned fully clockwise (CW) or fully counter-clockwise (CCW), the current pattern is frozen, maintaining the existing sequence without introducing new data. In any other position, new data is allowed to enter the processor, continually evolving the pattern generated by the Runglers. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eClock\/Manual\u003c\/strong\u003e selector This switch lets you choose the source of the clock that feeds the Runglers. If set to the upper position (CLK) it will send them either the clock signal generated by OSC A or, if a minijack is connected, the one present at the Rungler CLK input. If the switch is set to its lower position then the clock will be generated each time you press the Manual Button. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eManual Clock Button\u003c\/strong\u003e This button generates a pulse every time you push it. If the Clock\/Manual selector is set to the manual position this pulse acts as a clock signal for the Runglers. If it is set to the clock position, this pulse halts the clock signal.\u003cmeta charset=\"utf-8\"\u003eInputs and Outputs \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eOSC CVA and CVB\u003c\/strong\u003e These inputs accept external control voltage (CV) signals for controlling the pitch of the corresponding oscillators (OSC A and OSC B). By applying a CV signal ranging from 0 to 5V, you can externally modulate the oscillator pitch, enabling complex modulation effects when combined with the internal Rate and CV knob settings. Note that negative voltages are ignored, so it is recommended to use unipolar signals, such as those typically from envelopes or sequencers. If using bipolar signals, such as those from LFOs or VCOs, please offset them into the appropriate positive range to achieve the expected results. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eFilter CVA and CVB\u003c\/strong\u003e These inputs accept external control voltage (CV) signals for modulating the cutoff frequency of the corresponding filters (Filter A and Filter B). When a CV signal is connected, the cutoff frequency can be modulated in real time, allowing for dynamic and evolving filter effects. The same recommendations given for the oscillator CV inputs apply here: use unipolar signals for optimal results, and offset any bipolar signals into the appropriate positive range. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eComparator inputs\u003c\/strong\u003e These inputs accept signals to be compared internally to produce a pulsewidth modulation (PWM) signal, generating a high or low state depending on the input levels. The resulting PWM signal is sent to the filters to modulate their behaviour and is also output individually, allowing for further processing or use as a gate signal, enabling rhythmic interaction between different parts of the system and providing additional flexibility for complex modulation. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eRungler PTN\u003c\/strong\u003e This input allows an external control voltage (CV) to influence the pattern generated by the Runglers. When a signal is applied here, it replaces the signal coming from OSC B into the logic processor, modifying or modulating the pattern's evolution and adding further variation to the generated sequences. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eRungler CLK\u003c\/strong\u003e This input accepts an external clock signal for synchronising the Runglers with other equipment. When a clock signal is connected here, it replaces the clock signal coming from OSC A, allowing the Runglers to follow the external timing and ensuring precise synchronisation with signals from the blippulator or even external instruments. \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eDirect Oscillator Outputs\u003c\/strong\u003e These outputs provide the raw waveforms generated by oscillators A and B. These signals can be used independently for further processing in external modules or sent back to the blippulator for new exciting possibilities. Be careful and connect this signals only to blippulator’s inputs or to devices that expect voltages in the 0 to 5V range! \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eRunglers Outputs\u003c\/strong\u003e These outputs provide the chaotic signals generated by the Runglers as well as a gate signal created with the values of single bits in the bit-shift registers. These signals can be used independently as modulation or trigger signals for external devices or can also be sent back to the blippulator for new and exciting possibilities. Be careful and connect this signals only to blippulator’s inputs or to devices that expect voltages in the 0 to 5V range! \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003ePWM Output\u003c\/strong\u003e This output provides the pulse-width modulated waveform generated by the comparator. Be careful and connect this signals only to blippulator’s inputs or to devices that expect voltages in the 0 to 5V range! 16. Main Output This output provides the final audio signal of the instrument. This is a regular line voltage output. Some amplification may be needed if connected directly to eurorack modules that expect a full -5 to +5V signal.\u003c\/span\u003e\u003c\/li\u003e \u003c\/ol\u003e","brand":"Biyiblip","offers":[{"title":"Default Title","offer_id":54725868618069,"sku":null,"price":405.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/Blippulator_1ce2cb1b-c65c-49f8-8daa-01ef9c47d468.jpg?v=1787441676"},{"product_id":"koma-elektronik-ft201-analog-filter-10-step-sequencer","title":"Koma Elektronik - FT201 Analog Filter\/10-Step Sequencer","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ethe ft201 analog filter \/ 10-step sequencer is our innovative voltage controlled vactrol state variable filter combined with a 10 step sequencer. the ft201 is capable of providing ultra low and high frequency filter effects which are controllable with the on board infrared expression controller, which allows the user to create filter sweeps by moving their feet or hands over the pedal. the ft201 has 3 different filter outputs: bandpass, low pass and high pass, which all work simultaneously. the cutoff frequency range is very large, between 20 hz and 20 khz and because of the vactrols used the sound quality is superb. the 10 step sequencer runs through the selected amount of steps (2 - 10 steps) and adds the control voltage to the value set by the cutoff knob, thus modulating the cutoff frequency in every step.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ejust like the bd101, the ft201 can be used as a stand alone pedal, linked to other koma elektronik effect pedals or as a controller for a (modular) synthesizer or other cv receptive electronic instruments. the cv and audio patch bay allows control of the resonance, sequencer reset, cutoff and gives the user the possibility to synchronize the pedal with an external clock signal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003efeatures\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethree filter outputs; bandpass, low pass and high pass, which all work simultaneously\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eslide controls for input gain and resonance for more control while playing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eon board infrared expression controller, can be used as a standalone cv feature\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ecv control for resonance, sequencer reset, cutoff\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ecv input for external clock signals and synchronization with other koma elektronik pedals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ecv attenuators on the back of the pedal to fine-tune the cv inputs\u003c\/span\u003e\u003c\/p\u003e","brand":"Koma Elektronik","offers":[{"title":"Default Title","offer_id":54725868683605,"sku":null,"price":178.12,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/ft201.jpg?v=1787441676"},{"product_id":"zerosum-inertia-zi61","title":"Zerosum Inertia -  Zi61","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LAajWfmjWWo?si=RLlVCLT-HhN0ob3Z\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ethe zi51 is the metasonix r51 circuit, used with permission, redesigned to take 6ak5\/5654 tubes (only use 6ak5 or 5654 tubes in this module) and added feedback.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe input knob controls the audio input level. distort controls the bias adjustment of the distortion level.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003evca adjusts the amount of cv applied to the vca cv input.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eyou need to have a cv source applied to the vca cv input jack to get the most results from the vca knob.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efeedback controls the amount of signal fed back into the input.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ea modulation signal of at least 5v is recommended to insert into the vca cv input.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe module functions best when a modulation source is fed into the vca cv input to fully open the vca level of the module.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe distort and vca knobs interact with each other and the more voltage that is applied to the vca cv input the more effect the distort knob has when turned.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eit is recommended to let the module warm up several minutes before operating and to start with settings as described:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elevel knob about halfway.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003edistort and vca all the way up(about 5 o'clock).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efeedback off (full left\/about 7 o'clock).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003einsert a modulation source of at least 5v into the vca cv input.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eit is recommended to always have a modulation source patched into the vca cv input for louder volume and more range and response in knob turns.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eget familiar with how the input level knob adjusts the behavior and sound of all the other knobs.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eafter you have that figured out start increasing the level of the feedback while decreasing the level of the input level knob.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eget familiar with how the input and feedback knobs interact with each other.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eusually a lower input level with a higher feedback level and distort knob between 10 and 2 o'clock have the most aggressive and noticeable obvious sound changes.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable width=\"575\" height=\"108\" style=\"width: 575px;\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd valign=\"top\" style=\"width: 564.5px;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003ctable width=\"575\" height=\"108\" style=\"width: 575px;\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd valign=\"top\" style=\"width: 564.5px;\"\u003e \u003cp align=\"RIGHT\" style=\"text-align: right;\"\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003cstrong\u003especifications:\u003c\/strong\u003e\u003cbr\u003e22 hp.\u003cbr\u003e33mm deep.\u003cbr\u003e400 ma +12 on first power up.\u003cbr\u003e150 ma +12 average load after power up.\u003cbr\u003e150 ma -12 average load after power up.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"Zerosum Inertia","offers":[{"title":"Default Title","offer_id":54725868781909,"sku":null,"price":240.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/Zi61.jpg?v=1787441677"},{"product_id":"zerosum-inertia-6as6-signal-combiner","title":"Zerosum Inertia - 6AS6 Signal Combiner","description":" \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/TrpKeSHQ1JU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e \u003ch1 class=\"lead wrap\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/h1\u003e \u003ch1 class=\"lead wrap\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMADE IN THE USA!\u003c\/strong\u003e\u003c\/h1\u003e \u003cp data-mce-fragment=\"1\"\u003eTakes two audio signals and combines them and sums them together with a 6AS6 vacuum tube.  The 6AS6 is a dual control control pentode. There are 2 grids that can process audio signals then sum them together for a unique tube mixer with ringmodlike similarities.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003e Clean low noise smooth signal processing designed for the purpose of combining 2 VCO’s together with some character but won’t completely wreck your signal.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003e8HP\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003e35mm depth\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003epower draw: 450mA +12 on first power up for tube heater,\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003ethen down to 175 mA +12 and 30 mA -12.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eReverse power protection diodes\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003e-12 on bottom of power header and labeled on board\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eDesigned and made in USA\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eSocketed IC’s\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eEngraved faceplate\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eSwitchcraft jacks\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eAll analog signal processing done with 6AS6 vacuum tube and silicon diode clipping\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e \u003cbr data-mce-fragment=\"1\"\u003e \u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Zerosum Inertia","offers":[{"title":"Default Title","offer_id":54725868880213,"sku":null,"price":167.14,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/Zerosum_6AS6.jpg?v=1787441680"},{"product_id":"lwss-oakley-discrete-ladder-filter","title":"LWSS - Oakley Discrete Ladder Filter","description":"\u003cp\u003eIf you desire that thick Moog low pass sound then the Discrete Ladder Filter by Oakley Modular Systems might fit your needs perfectly.  This module is a reworking of the classic 1960’s low pass filter module using the circuits from the 904A filter and CP3 mixer and combining them into one excellent sounding module. The module also features a drive control which allows you to heavily overdrive the filter circuit without producing a big change in output volume.\u003c\/p\u003e \u003cp\u003eLower West Side Studio’s 2MU version of the Discrete Ladder Filter includes a simultaneous Dry(ish) Output.  This feature provides the mixed input signals BEFORE they are processed by the filter but after passing through the mixer and Drive circuit.  The Drive control will affect the output level of the Dry Out making it more\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMoist\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethan\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDry\u003c\/em\u003e.  An attenuator allows this\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMoist\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eOutput volume to be adjusted.\u003c\/p\u003e \u003cp\u003eThe 2MU Discrete Ladder Filter comes with 1″ (25.4mm) knobs controlling 6 potentiometers and a .75″ (19mm) knob controlling 1 potentiometer.  3 of these controls are for mixing Inputs 1, 2 \u0026amp; 3.  Other potentiometers control Frequency, Resonance, Drive and Depth for CV Inputs 1 \u0026amp; 2 as well as Dry Output level.\u003c\/p\u003e \u003cp\u003eThe 2MU Low Profile version of the Discrete Ladder filter is identical to the 2MU version but is only 5cm (1.97″) deep.  Perfect for low profile cases like the Synthesizers.com Box11\u003c\/p\u003e \u003cp\u003eThe Discrete Ladder Filter operates at +\/- 15V and comes with a Synthesizers.com style power connector.\u003c\/p\u003e","brand":"Lower West Side Studio","offers":[{"title":"Default Title","offer_id":54725868945749,"sku":null,"price":153.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/oakleyladder.webp?v=1787441679"},{"product_id":"lwss-oakley-classic-vca","title":"LWSS - Oakley Classic VCA","description":"\u003cp\u003eBased on the ARP4019 sub-module of the ARP2600P semi-modular synthesizer the Classic VCA by Oakley Modular Systems provides flexible two channel mixing and more.\u003c\/p\u003e \u003cp\u003eTwo signal inputs are provided, one DC coupled and the other AC coupled. The former allows audio and low frequency signals to be processed. While the latter has a high pass filter so that it can be only used to process alternating frequencies. Both inputs can be used simultaneously and each one features an input level control.\u003c\/p\u003e \u003cp\u003eTwo control voltage (CV) inputs are provided. CV1 is linear and is provided with a standard attenuator pot that can control the sensitivity of the input. CV2 can be operated in either exponential or linear mode.\u003c\/p\u003e \u003cp\u003eCV2 features a reversible attenuator. When the pot is turned right of its central position, the pot acts as a normal attenuator; increasing the sensitivity of the CV input. Left of centre, the pot will act in inverting mode and the CV will be tipped upside down so that increasing positive voltages will decrease the gain of the VCA.\u003c\/p\u003e \u003cp\u003eWhen no input jack is inserted into the CV1 input, the CV1 pot becomes a gain control. This allows the pot to be used as a simple volume control but when set high it also allows CV2 to turn the VCA off.\u003c\/p\u003e \u003cp\u003eThe 5U version of the Classic VCA has two outputs. OUT A is the standard output of the VCA. OUT B, gives you the difference signal between the sum of the two inputs and the final output of the VCA. This is a sort of anti-output; when the VCA output signal goes up in level this output goes lower. You can use it as a ring modulator (with gain pot set to max) or in conjunction with OUT A as a voltage controlled pan.\u003c\/p\u003e \u003cp\u003eThe Classic VCA comes in a 1U width with 1″ (25.4mm) knobs controlling 4 potentiometers; Input 1 Level, Input 2 Level, CV1 \/ Gain and CV2\u003c\/p\u003e \u003cp\u003eA toggle switch controls the linear or exponential setting of CV2\u003c\/p\u003e \u003cp\u003eThe module operates at +\/- 15V and comes with a Synthesizers.com style power connector.\u003c\/p\u003e","brand":"Lower West Side Studio","offers":[{"title":"Default Title","offer_id":54725868978517,"sku":null,"price":126.27,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/oakleyvca.webp?v=1787441679"},{"product_id":"lwss-moogah-sem-vcf","title":"LWSS - Moogah SEM VCF","description":"\u003cp\u003eThere’s nothing like that ’70s sounds of an Oberheim filter.  It was a unique and beautiful part of the musical ensemble many of us grew up to or grew to love.  That sound can now be part of your synthesizer ensemble thanks to Jeff Farr’s version of Tom Oberheim’s masterpiece the Moogah SEM VCF\u003c\/p\u003e \u003cp\u003eThis faithful recreation of the original 2-Pole filter features 2 input channels with 2 inputs each.  Mixing of each input per channel can be done through front panel controls.\u003c\/p\u003e \u003cp\u003eThere are also inputs for standard and attenuverted control voltages.  Both inputs can be used and controlled simultaneously.\u003c\/p\u003e \u003cp\u003eSpeaking of simultaneously 4 filtered outputs are available simultaneously.  Lowpass, Bandpass and Highpass outputs are all present.  In addition a fourth output is available for a variably swept filter.  There is a control to set this frequency or to just sweep through the whole frequency band for the heck of it.  The sounds it produces are incredible!\u003c\/p\u003e \u003cp\u003eThe module operates at +\/- 15V and comes with a Synthesizers.com style power connector\u003c\/p\u003e","brand":"Lower West Side Studio","offers":[{"title":"Default Title","offer_id":54725869011285,"sku":null,"price":148.84,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/moogah.webp?v=1787441681"},{"product_id":"lwss-m714-quad-sequencer","title":"LWSS - M714 Quad Sequencer","description":"\u003cp\u003eLower West Side Studio’s M714 Quad sequencer combines the power of 4  M710 Sequencers in a single module\u003c\/p\u003e \u003cp\u003eIn addition the the standard CV and GATE outputs  the M714 adds HOLD and RESET CV inputs for each sequencer.\u003c\/p\u003e \u003cp\u003eUsing the Sync switch Sequencers #2, #3 and #4 can have their clocks synchronized with the clock on Sequencer # 1.  This clock can be either the Sequencer #1’s internal clock or an external clock fed into Sequencer #1\u003c\/p\u003e \u003cp\u003eEach Lower West Side Studio’s M710 Sequencer within the M714 provides powerful expandable sequencer features.\u003c\/p\u003e \u003cp\u003eThe M710 is an 8 step sequencer featuring an internal clock, individual step control.  The Sequencer also features expansion ports for connection to external like the M712 Sequencer Sidecar.\u003c\/p\u003e \u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003einternal clock of the M710 features a very wide frequency range from approximately 4BPM up to audio range\u003c\/p\u003e \u003cp\u003eEach individual Sequencer making up the M714 can include the addition of the M712 Sequencer Sidecar.  The M712 Sequencer Sidecar adds individual Gate and Trigger outputs are added for each step.  The M712 also features a user selectable OR output. In addition, the M712 adds a Clock Out as well as Hold and Reset CV inputs making the M714 an even more flexible sequencer system.\u003c\/p\u003e","brand":"Lower West Side Studio","offers":[{"title":"Default Title","offer_id":54725869076821,"sku":null,"price":400.77,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/m714.webp?v=1787441681"},{"product_id":"liquid-sky-d-vices-ppg-w2-2x4-in-stock-limited-black-edition","title":"Liquid Sky D-Vices - PPG W2.2x4 Limited Black Edition","description":"\u003cp\u003elimited edition of 127 pieces. no second batch in black will be made. \u003cspan\u003eWe ship on a first come, first served basis.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003edual wave table osc with subbass, overdrive, vca, 40 HP\u003cbr\u003evideos coming soon.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e \u003cdiv\u003e \u003cp\u003e\u003cstrong\u003ePPG Returns with W2.2x4 Eurorack Module\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe legendary German synthesizer brand PPG is making a comeback, thanks to the collaboration between Cornel Hecht (Hell Modular) and the Liquid Sky Artistcollective (Liquid Sky d-vices).\u003c\/p\u003e \u003cp\u003eThe first release in this revival is the \u003cstrong\u003eW2.2x4 Eurorack module\u003c\/strong\u003e, a \u003cstrong\u003e3U dual wavetable oscillator\u003c\/strong\u003e featuring \u003cstrong\u003eall the original wavetables from the iconic PPG Wave 2.2\u003c\/strong\u003e. Each oscillator is equipped with \u003cstrong\u003ea sub-bass generator, overdrive, and a built-in VCA\u003c\/strong\u003e, delivering the classic PPG sound in a modern modular format.\u003c\/p\u003e \u003cp\u003eThe PPG W2.2x4 can sound extremely true to the original or introduce new sonic nuances through its \u003cstrong\u003eVCA\/overdrive section\u003c\/strong\u003e. \u003c\/p\u003e \u003cp\u003eIt is suitable for all genres of electronic music, including \u003cstrong\u003eTechno, Synth Pop, Ambient, Industrial, Noise, Berliner Schule, and more\u003c\/strong\u003e.\u003c\/p\u003e \u003cp\u003eThe \u003cstrong\u003eW2.2x4 \u003c\/strong\u003emodule will be available in two editions:\u003c\/p\u003e \u003cul\u003e \u003cli\u003e \u003cp\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e: Black front panel, strictly limited to \u003cstrong\u003e127 units\u003c\/strong\u003e. \u003c\/p\u003e \u003c\/li\u003e \u003cli\u003e \u003cp\u003e\u003cstrong\u003eStandard Edition\u003c\/strong\u003e: Blue front panel, unlimited production. \u003c\/p\u003e \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eAdditionally, the \u003cstrong\u003eLiquid Sky D-Vices GLITHc ExpendR\u003c\/strong\u003e is compatible with the \u003cstrong\u003ePPG W2.2x4\u003c\/strong\u003e, transforming it into an experimental \u003cstrong\u003emini glitch\/noise\/wavetable remix lab\u003c\/strong\u003e.\u003c\/p\u003e \u003cp\u003eWith its unique sonic character and heritage, the \u003cstrong\u003eW2.2x4\u003c\/strong\u003e brings the spirit of PPG into the contemporary Eurorack world. Be among the first to experience this modern classic!\u003c\/p\u003e \u003cp\u003e\"\u003ci\u003ePPG® is a trademark of the Native Instruments Group, used under license.\u003c\/i\u003e\"\u003c\/p\u003e \u003c\/div\u003e","brand":"Liquid Sky D-Vices","offers":[{"title":"Default Title","offer_id":54725869207893,"sku":null,"price":389.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/PPG.jpg?v=1787441683"},{"product_id":"grayscale-helix-digital-macro-oscillator","title":"Grayscale - Helix Digital Macro Oscillator","description":"\u003ch1\u003eHelix: a digital macro oscillator with 25 algorithms\u003c\/h1\u003e \u003cp\u003e\u003cb\u003eHelix\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003erepresents the evolution of Mutable's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/pichenettes.github.io\/mutable-instruments-documentation\/modules\/plaits\/manual\/\" target=\"_blank\"\u003ePlaits\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emacro oscillator. With new features such as pitch quantization, parameter randomization, and an internal modulation bus, Helix provides a self-contained synth voice for your Eurorack modular system in an efficient 18hp package.\u003c\/p\u003e \u003cp\u003eAll 24 algorithms from the final Plaits v1.2 firmware are included, and a new algorithm, the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/grayscale.info\/helix\/#lofi\"\u003eLo-Fi Oscillator\u003c\/a\u003e, combines a Buchla-inspired waveshaper with bit rate and sample rate reduction, adding intentional aliasing effects and harmonic distortion. The LED matrix displays all 25 algorithms simultaneously, avoiding the need to switch banks.\u003c\/p\u003e \u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/grayscale.info\/helix\/#quant\"\u003epitch quantizer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eprovides 35 scales, covering both familiar musical territory and obscure microtonal experimentation.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/grayscale.info\/helix\/#rand\"\u003eParameter randomization\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eallows all DSP parameters to be randomized whenever a trigger is received. The degree of randomization can be limited and biased for each individual parameter, providing results that range from subtle organic variations to glitchy digital chaos.\u003c\/p\u003e \u003cp\u003eDedicated knobs for the LPG\/VCA level and envelope decay time open up new creative possibilities by providing direct access to these previously hidden parameters. The envelope time can be externally modulated and the envelope is now accessible as a modulation source through the new ENV (envelope) and EOD (end of decay) outputs.\u003c\/p\u003e \u003cp\u003eThe modulation bus, accessed through the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/grayscale.info\/helix\/#ctrl\"\u003eCTRL input\u003c\/a\u003e, allows the internal envelope to be replaced by an arbitrary external control signal. The external modulator is routed to all seven CV inputs simultaneously and may be independently shaped for each parameter using the dedicated attenuators. Because the ENV output remains accessible on the front panel, the internal envelope can still be cross-patched to one or more parameters.\u003c\/p\u003e","brand":"Grayscale","offers":[{"title":"Black","offer_id":54725869240661,"sku":null,"price":183.0,"currency_code":"GBP","in_stock":true},{"title":"Silver","offer_id":54725869273429,"sku":null,"price":183.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/HelixNBblack_d5abec1e-f7d8-4413-9cc4-a5b88d37a74d.jpg?v=1787441684"},{"product_id":"grayscale-nexus-black","title":"Grayscale - Nexus [Black]","description":"\u003ch1\u003e\u003cstrong\u003eGrayscale - Nexus \u003c\/strong\u003e\u003c\/h1\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eNexus brings the unique keyframing concept of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/pichenettes.github.io\/mutable-instruments-documentation\/modules\/frames\/manual\/\" target=\"_blank\"\u003eFrames\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eback to the Eurorack format. While retaining the same 18hp width as the original, Nexus provides eight more VCA channels, a faster workflow, an improved hardware spec, and numerous new features intended to provide an unprecedented level of control over complex modular patches.\u003c\/p\u003e \u003cp\u003eKeyframing is a technique borrowed from digital animation. A keyframe marks the VCA levels of 12 different channels at a single moment in time. Up to 32 keyframes can be stored on a timeline, and the timeline position is controlled by a single large knob. When the timeline position is changed and levels vary between keyframes on the same channel, various interpolation algorithms may be applied to create smooth transitions between different levels. The timeline position can be controlled manually by turning the large knob, modulated by an external control voltage, or sequenced with a trigger source.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/grayscale.info\/img\/modules\/nexus-render-black-gray-comp.jpg\" alt=\"Grayscale Nexus, inspired by Mutable Instruments Frames\"\u003e\u003c\/p\u003e \u003cp\u003eThe open-ended nature of the keyframing concept makes Nexus incredibly versatile. With the ability to both process external signals and generate control voltages, Nexus can be used as a mixer, sequencer, LFO, envelope generator, attenuator, clock divider, sequential switch, stereo or quadraphonic panner, multi-channel crossfader, and more. Many of these functions can be patched simultaneously, providing extensive serial or parallel processing of audio and control voltages. This functionality can be further extended with new randomization options, including the ability to randomize keyframe levels and randomly step through keyframes using an external trigger source.\u003c\/p\u003e \u003cp\u003eStereo operation is simplified with individual mix outputs for each row (representing separate left and right mixes) and internal mono-to-stereo normalizations. The redesigned user interface allows for editing of multiple channels simultaneously, copying keyframes to new timeline positions, and saving up to 12 user presets. The core circuitry has also been upgraded to eliminate audio bleed and provide precise output level calibration. The VCAs are digitally controlled but the signal path remains entirely analog.\u003cbr\u003e\u003c\/p\u003e \u003ch1 id=\"versions\"\u003eFrames vs Nexus\u003c\/h1\u003e \u003ctable class=\"data features center\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003cth class=\"sixty\"\u003eAttribute\u003c\/th\u003e \u003cth class=\"twenty\"\u003eFrames\u003c\/th\u003e \u003cth class=\"twenty\"\u003eNexus\u003c\/th\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWidth\u003c\/td\u003e \u003ctd\u003e18 hp\u003c\/td\u003e \u003ctd\u003e18 hp\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eVCA Channels\u003c\/td\u003e \u003ctd\u003e4\u003c\/td\u003e \u003ctd\u003e12\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eUser Presets\u003c\/td\u003e \u003ctd\u003e1\u003c\/td\u003e \u003ctd\u003e12\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAutosave\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eStereo I\/O\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMulti-Channel Editing\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eLevel Randomization\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRandom Sequencing\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCopy Keyframes\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eVCA Calibration\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eModule Depth\u003c\/td\u003e \u003ctd\u003e28 mm\u003c\/td\u003e \u003ctd\u003e25 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e+12V current draw\u003c\/td\u003e \u003ctd\u003e90 mA\u003c\/td\u003e \u003ctd\u003e148 mA\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e-12V current draw\u003c\/td\u003e \u003ctd\u003e30 mA\u003c\/td\u003e \u003ctd\u003e77 mA\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003chr id=\"manual\"\u003e \u003ch1\u003eOperational Theory\u003c\/h1\u003e \u003cp\u003eThe information below covers all features and functions of Nexus. Look for an updated user manual soon with more illustrations and patch examples. The 12 factory presets are currently undocumented, this will be updated soon.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/grayscale.info\/img\/modules\/nexus-diagram-keyframing.png\" alt=\"Grayscale Nexus keyframine interpolation diagram\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eTimeline knob.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eTurning the big knob scrolls through the timeline, controlling the rate of transition between keyframes. You can also modulate the timeline using the MOD input, which has a +\/-5V range and a bipolar attenuator. When using external modulation, the 0V baseline is equal to the physical position of the macro knob.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChannel selection (SEL).\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThe detented SEL encoder controls which channels may be edited. Turn the knob to select different channels. You can also press SEL to cycle through four different selection scopes (single, columns, rows, or all) allowing you to simultaneously edit multiple channels. When the selection scope is changed, the channel LEDs will blink to indicate the scope.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eLevel adjustment (AMP).\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThe smooth AMP encoder adjusts VCA levels for all channels within the selection scope. Turn the knob slowly to make small adjustments or turn it more quickly to rapidly traverse the full range. You can also turn the AMP knob while it's being pressed to make very fine adjustments, useful for fine-tuning the pitch of a VCO for example. You may also press the AMP knob to toggle the selected VCAs between their minimum and maximum values. This allows you to quickly mute a VCA or open it completely without needing to turn the AMP knob. There's also a quick way to flip the levels of all channels within the selection scope. With the big knob pointing to a keyframe (KEY LED is green), press VAR. All channel levels within the selection scope will be flipped. Press VAR again to revert this change and flip the channel levels back to where they were previously.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVAR switch.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ePerforms various functions, often in combination with pressing or turning other controls. See the other sections for documentation of all VAR functions.\u003c\/p\u003e \u003cp\u003e\u003cb\u003e10V switch.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eIn the upper position, enables an internal 10V DC offset which is normalized to any unpatched inputs. This allows Nexus to generate CVs by internally modulating the channel VCAs with the DC offset. In the lower position, the DC offset is disabled.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChannel I\/O.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThere are 12 channel inputs with an associated LED indicating the VCA level for each channel. Below that are the 12 channel outputs which mirror the inputs and their post-VCA processing. The top row of inputs (odd numbers) is normalized to the bottom row of inputs (even numbers) so that mono signals can be easily converted to stereo. Or you can patch existing stereo signals into the odd\/even input pairs.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eAdd\/delete keyframes (KEY).\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eOne of the \"key\" concepts to understand is that VCA adjustments can only occur on keyframes. To add a keyframe, turn the big knob to any location along the timeline. If the KEY LED is off, press the KEY switch to create a new keyframe. At least two keyframes are required—otherwise there is nothing to interpolate or sequence—so turn the knob to a second location and add another keyframe. Now you can set up the individual VCA levels for each channel. To delete a keyframe, point the knob to an existing keyframe (indicated by a green KEY LED). Press the KEY switch and the KEY LED will turn off, indicating that the keyframe has been deleted.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eKEY output.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThis output generates a 10ms trigger whenever a keyframe becomes active, like the FRAME output on Frames but with a different label.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/grayscale.info\/img\/modules\/nexus-diagram-stereo.png\" alt=\"Grayscale Nexus stereo normalization diagram\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eODD\/EVEN mix outputs.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThere are separate mix outputs for each row, labeled ODD (odd-numbered outputs) and EVEN (even-numbered outputs). In a stereo patching paradigm these could also be considered LEFT and RIGHT outputs. Patching a cable into any of the individually-numbered outputs will subtract that channel from the mix output on that row. Keep in mind that you can patch the mix outputs back into an unused pair of channels to perform further processing, then patch the individual outputs for those channels out to an external mixer, headphone amp, etc.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/grayscale.info\/img\/modules\/nexus-diagram-interpolation.png\" alt=\"Grayscale Nexus stereo normalization diagram\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eInterpolation types.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eEach channel uses one of six interpolation types during transitions between keyframes. Press the VAR switch and then turn SEL to choose the interpolation type for all channels within the selection scope. The KEY LED will turn orange during this process and the channel LEDs will display an animation of the interpolation. The six options include linear, exponential (ease in), logarithmic (ease out), sinusoidal (ease in\/out), or two non-interpolated stepped modes. Step A works like the \"stepped\" mode from Frames, where the transition occurs at the halfway point between two keyframes. Step B applies the transition whenever a new keyframe become active.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVCA response.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThis setting controls the \"feel\" of the AMP knob (ranging from linear to exponential) and how the VCA responds to the interpolation curves. Press the VAR switch and then turn AMP to adjust the VCA response. The KEY LED will turn red during this process and the LEDs for all channels within the selection scope will display an animation of the VCA response. Unlike the six discrete interpolation types, the VCA response is more of a smooth crossfade between fully linear (turn left) and fully exponential (turn right). The range covers approximately 1.5 full rotations of the encoder.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eCopy keyframes.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThis feature saves time when you want to set up various keyframes that modulate to\/from a common baseline. Point the big knob to any existing keyframe (KEY LED turns green). Press the KEY switch for a few seconds until it turns red. You have copied the existing keyframe. Now turn the big knob to the timeline location where you want to create a new keyframe. Timeline locations with no existing keyframes are indicated by an orange KEY LED. Pasting into those locations will create a new keyframe. Timeline locations with existing keyframes are indicated by a red KEY LED. Pasting into these locations will overwrite an existing keyframe. If you want to exit the copy\/paste mode without changing anything, press VAR to exit.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eRandomize VCA levels.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eWith the big knob pointing to an existing keyframe (KEY LED is green), press and hold the VAR switch for 3 seconds. The levels of all channels within the selection scope will be randomized. Repeat the process to randomize again.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSequencing modes.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eOnce you've set up your keyframes, there are three ways to move through the timeline. You can select one of these three options by pressing the SEL knobs for 3 seconds, then turning it. The KEY LED will start to blink, showing one of three colors to indicate the current mode. Green is the linear mode where keyframes can be smoothly interpolated by turning the big knob or patching external CV into the MOD input. Orange is the sequencing mode from Frames, where a trigger patched to the MOD input will step through keyframes without interpolation. When using this mode you can turn the big knob fully to the left to \"reset\" the sequence to the first step. Also be sure to turn the MOD attenuator up so that the trigger will be received. Red is the new random sequencing mode, which works like the orange mode but keyframes are selected randomly instead of sequentially. Once you've selected the mode you want, press the SEL encoder or the KEY switch to lock in your selection. Pressing VAR will exit without changing the mode.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eSave presets.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ePress VAR and KEY for 3+ seconds. The KEY LED will start to blink green. This color indicates the SAVE mode. Release both switches once the LED starts to blink, then turn the SEL encoder to select one of the 12 preset slots (indicated by the channel LEDs). Press KEY to save the current keyframes, interpolation curves, and VCA response settings to the selected preset slot. Or press VAR to exit without saving.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eLoad presets.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eNexus ships with 12 useful factory presets (not yet documented!) or you can also load presets that you've saved over the factory presets. Press VAR and KEY for 6+ seconds. The KEY LED will blink green after 3 seconds but will turn orange after 6 seconds. Release both switches while the LED is orange, then turn the SEL encoder to select one of the 12 preset slots (indicated by the channel LEDs). Press KEY to load the preset from that slot. Or press VAR to exit without loading, preserving your current keyframe config.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDelete all keyframes.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eIf you want to quickly delete the current keyframe config, deleting all keyframes and returning all channels to their default interpolation\/response settings, press VAR and KEY for 9+ seconds. The blinking KEY LED will cycle through green, then orange, then red. Release the switches once the LED turns red, then press KEY. This will delete all existing keyframes. All channels will be assigned the linear interpolation type and linear VCA response. This operation does NOT affect any presets—only the working state of the module.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eDelete all presets.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThere is an additional operation that you can perform instead of just deleting the current keyframe config. After pressing VAR and KEY for 9+ seconds, the KEY LED will start to blink. Instead of pressing KEY to delete the current keyframe config, press the SEL knob once. All 12 of the channel LEDs will start to flash, indicating that all of your user presets are about to be replaced with the 12 factory presets. Press KEY to confirm the total annihilation of your carefully-crafted presets. Or press VAR to exit, keeping all of your presets intact.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVCA calibration.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eWhen you move the module into a new case you may need to calibrate the VCAs. The module is calibrated at the factory but some modular power supplies put out slightly more or less than the optimal voltages. This will throw off the 0V baseline for the module. You may notice for example that the channel LEDs light up even when the VCA levels are set to zero, or that the channel outputs do not generate precisely 10V when the switch is enabled. This indicates that you need to perform calibration. To do this, power up the module with the VAR switch pressed, and make sure that none of the module's inputs (especially the MOD input) are patched. The KEY LED will blink green\/red. The MOD input auto-calibrates itself immediately and this may be all that you need to do. Press either the VAR or KEY switch to save the calibration data and continue using the module as you normally would. But in some cases you may also want to recalibrate the individual VCAs. To do this, enable the 10V switch (up position) and measure the output of channel 1 using a multimeter or a module like the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.mordax.net\/products\/data\" target=\"_blank\"\u003eMordax DATA\u003c\/a\u003e. Turn the AMP knob until the multimeter reads as close to 10.000V as possible. Then turn the SEL knob to select another channel, patch that channel output into your multimeter, and repeat the process until all 12 channels are calibrated. Once the calibration is complete, press either VAR or KEY to save the calibration data and get back to patching.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eLED brightness.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eDepending on the ambient light conditions you may want the 12 channel LEDS to be dimmer or brighter. Press the AMP knob for 3 seconds to change this. The KEY LED will flash red to indicate that this mode is active. Turn the AMP knob to choose from one of eight brightness levels, then press either the AMP knob or the KEY LED to save your preference. Pressing VAR will exit without changing the brightness.\u003c\/p\u003e \u003c!----\u003e","brand":"Grayscale","offers":[{"title":"Default Title","offer_id":54725869338965,"sku":null,"price":183.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/nexusblack.jpg?v=1787441685"},{"product_id":"4u-shop-bb82-dual-8-step-baby-sequencer-4u-b","title":"4U Shop -BB82 - Dual 8 Step Baby Sequencer [4U-B]","description":"\u003cp\u003e\u003cstrong\u003eBB82 - dual 8 step baby sequencer\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eModular Format is 4U-B [Buchla 4U Modular]\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe BB82 is a dual, 8 step sequential voltage source, based\u003cbr\u003eon the well know \"Baby Sequencer\".\u003c\/p\u003e \u003cp\u003eBB82 is normalled to play 8 step sequences, but please note\u003cbr\u003eif you patch one the Pulse outputs to the Reset input,\u003cbr\u003eit'll reset the sequence; for example, patching Pulse 7\u003cbr\u003eto Reset results a 6 steps long sequence.\u003c\/p\u003e \u003cp\u003ePulse outputs also could be used to ping other modules and \u003cbr\u003eReset also could accept voltages from other modules.\u003c\/p\u003e \u003cp\u003e\u003cbr\u003eFeatures:\u003cbr\u003e\u003cbr\u003e- clock input accepts literally any kind of clock or gate\u003cbr\u003e- reset input (accepts random voltages from other modules)\u003cbr\u003e- 2 linear, 0-10V voltage outputs\u003cbr\u003e- 8 individual pulse outputs\u003cbr\u003e- black \u0026amp; white printed manual included\u003cbr\u003e- hand-built, hand numbered\u003c\/p\u003e","brand":"4U Shop","offers":[{"title":"Default Title","offer_id":54725869371733,"sku":null,"price":336.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/bb82.jpg?v=1787441686"},{"product_id":"4u-shop-dmwtrs-dual-pulse-sequencer","title":"4U Shop - DMWTRS - Dual Pulse Sequencer","description":"\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e \u003ch2\u003e\u003cstrong\u003eDMWTRS - dual pulse sequencer\u003c\/strong\u003e\u003c\/h2\u003e \u003cp\u003e\u003cstrong\u003e4u-B Modular Format\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eDMWTRS stands for \"Dual Man With The Red Steam\" and it is\u003cbr\u003ebased on the sequencer part of the amazing \"Plumbutter\".\u003cbr\u003eIt is a shift register based pulse sequencer, with a clock input, 4 pulse outputs, 8 data outputs and 4 data inputs.\u003cbr\u003ePatching a data output to a data input turns the shift register's output back to it's input, so the sequence is looped, also, this is how you can set the length of the sequence.\u003c\/p\u003e \u003cp\u003eThe concept\/idea is based on Peter Blasser's amazing work.\u003cbr\u003e\u003cbr\u003eFeatures:\u003cbr\u003e\u003cbr\u003e- clock input accepts literally any kind of clock or gate\u003cbr\u003e- clock input is converted to pulse, to further use in the system\u003cbr\u003e- 4 pulse outputs on red square banana jacks\u003cbr\u003e- 4 data outputs on white square banana jacks and 4 on violet bananas\u003cbr\u003e- 4 data inputs on white banana jacks\u003cbr\u003e- data inputs accepts (max.) 0-15V voltages\u003cbr\u003e- data outputs are standard 0-15V digital voltages \u003cbr\u003e- push buttons to add (red) or remove (white) bits from the stream\u003cbr\u003e- compatible with 100, 200 and 200e systems\u003cbr\u003e- the modules does not produce (or even use) negative voltages\u003cbr\u003e- black \u0026amp; white printed manual (3 pages...) included\u003cbr\u003e- hand-built, hand numbered\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0664\/5635\/5083\/files\/DMWTRS_Manual.pdf?v=1717487319\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003e...a rather funny \"user manual\" - click to download!\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e \u003ch6\u003e\u003cspan\u003eThe module uses rare, NOS square banana jacks. Please note, these jacks are not produced anymore, slight discolouration may occur, specially on the white jacks.\u003c\/span\u003e\u003c\/h6\u003e \u003c\/div\u003e","brand":"4U Shop","offers":[{"title":"Default Title","offer_id":54725869404501,"sku":null,"price":336.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/DMWTRS_Preview_5.webp?v=1787441686"},{"product_id":"buchla-291e-triple-morphing-filter","title":"Buchla - 291e Triple Morphing Filter","description":"\u003cp\u003eThe 291e Triple Morphing Filter comprises three voltage-controlled bandpass filters that can operate independently or in parallel.\u003c\/p\u003e \u003cp\u003eThe amplitude, center frequency, and bandwidth of each filter may be independently voltage-controlled, and each can be modulated with externally applied signals.\u003c\/p\u003e \u003cp\u003eThe morphing capability might best be described as moving through a series of filter snapshots, with each snapshot consisting of a complete description of the filter parameters, and with each parameter continuously varying between snapshots. Morphing is accomplished with an applied voltage, or alternatively can be initiated with a pulse, with each stage’s time independently set. Up to eight stages may be employed.\u003c\/p\u003e \u003cp\u003eAll of the 291e’s settings can be stored and recalled using the 225e or 206e Preset Manager.\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":54725869535573,"sku":null,"price":892.43,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/200e_291.jpg?v=1787441689"},{"product_id":"buchla-281e-quad-function-generator","title":"Buchla - 281e Quad Function Generator","description":"\u003cp\u003eThe 281e Quad Function Generator comprises four function generators organized in two pairs. All four generators can operate independently or can be linked in pairs to generate more complex output voltages.\u003cbr\u003eA momentary switch selects one of three modes: Transient, Sustained, and Cyclic. An illuminated LED indicates the selected mode.\u003c\/p\u003e \u003cp\u003eUpon receiving a pulse, a generator’s output voltage ramps up to 10V at a rate determined by the sum of an applied control voltage and the setting of the attack time knob. When in Sustained mode, the voltage will stay high as long as the input pulse is maintained; when not in the Sustained mode, or when the input pulse terminates, the output ramps down to 0V at a rate determined by the sum of the decay voltage and the setting of the decay knob.\u003c\/p\u003e \u003cp\u003eAt the end of the Decay segment, a transient pulse appears at the pulse output. If the 281e is in Cyclic mode, the cycle now repeats.\u003c\/p\u003e \u003cp\u003eThe time range for both Attack and Decay is from .001 to 10 seconds.\u003c\/p\u003e \u003cp\u003eIn the Quadrature mode, generators A and B (or C and D) operate in tandem with their functions shifted by ninety degrees in relation to each other. An OR function can be invoked to generate more complex envelopes (ADSR).\u003c\/p\u003e \u003cp\u003eThe 281e can respond directly to MIDI messages received via the 225e MIDI interface. 281e setting can be saved and recalled using the 225e or the 206e Preset Manager.\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":54725869568341,"sku":null,"price":549.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/200e_281e.jpg?v=1787441690"},{"product_id":"buchla-272e-polyphonic-tuner","title":"Buchla - 272e Polyphonic Tuner","description":"\u003cp\u003eThe 272e Polyphonic Tuner is unique module featuring four stereo FM (radio) tuners, each with voltage-controllable tuning and separate audio outputs. The audio output from the tuners can provide a nearly never-ending supply of source material for processing and control.\u003c\/p\u003e \u003cp\u003eThe 272e features a common station memory and a polyphonic output that has an independent ASR envelope generator for each tuner. Station tuning tables can be loaded automatically—particularly handy for the traveling musician.\u003c\/p\u003e \u003cp\u003e272e settings can be stored and recalled as part of a preset using the 206e or 225e Preset Manager.\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":54725871206741,"sku":null,"price":732.61,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1071\/1872\/3413\/files\/272e.webp?v=1787441690"}],"url":"https:\/\/climivor.myshopify.com\/collections\/yt.oembed?page=13","provider":"CLIMIVOR","version":"1.0","type":"link"}